Vol. 23 (2023)

View Vol. 23 (2023)
Published: 2023-02-13

Editorial

Artigos

  • Desafios e etratégias para o ensino de Instrumentos de Cordas Friccionadas (ICF) na educação à distância (EAD)

    Bruno Macrino dos Santos, Endre Solti, Gilson Santos Rodrigues, Keroll Elisabeth Weidner, Célia Maria Haas
    DOI: https://doi.org/10.5216/mh.v23.73823

  • Con te partirò Con te partirò. Sightseeing cruises: soundscapes and musical landscapes in transit

    Heloisa de Araújo Duarte Valente
    DOI: https://doi.org/10.5216/mh.v23.74238

  • Feria IV Franco Donatoni’s concept as a catalyst for the creative process.

    Gonçalo Pescada
    DOI: https://doi.org/10.5216/mh.v23.75269

  • Zhao Xiaosheng’s Tai Chi: Re-visiting the Meaning and Accretion of I Ching in the Contemporaneity of Chinese Music Semantics

    Ke Xue, Fung Ying Loo, Fung Chiat Loo, Xiaohang Wang
    DOI: https://doi.org/10.5216/mh.v23.75844

  • Can blind people conduct musical ensembles? The deconstruction of visual dependency in conducting teaching through Maestro v0.1

    Erickinson Lima
    DOI: https://doi.org/10.5216/mh.v23.76883

  • Gestural Tendencies in Composing Pieces for Solo Clarinet in Sequenza IX for Clarinet, Garisan, and Klibat

    Marzelan Salleh, Camellia Siti Maya Mohamed Razali
    DOI: https://doi.org/10.5216/mh.v23.73057

  • Brazilian academic Music journals continued chronology (2000-2020)

    Renato Borges
    DOI: https://doi.org/10.5216/mh.v23.73612

  • Seguimiento Continuo de Infinitos Puntos..., by Sebastián Jatz: listening as a way of interrogating the place where the music occurs

    Santiago Astaburuaga Peña
    DOI: https://doi.org/10.5216/mh.v23.74061

  • Quincas Laranjeiras e o violão solista no Rio de Janeiro: “el maestro de los mejores guitarristas”

    Humberto Amorim, Paulo Martelli
    DOI: https://doi.org/10.5216/mh.v23.75190

  • Theodor Adorno e a análise do op. 47 de Schönberg

    Braulyo Antonio Silva de Oliveira
    DOI: https://doi.org/10.5216/mh.v23.75478

  • Relationship of Airway Anatomy and Trumpet Performance

    Hasibe Zeynep Cilingir, Ahmed Ghoneima, George Eckert
    DOI: https://doi.org/10.5216/mh.v23.76790

  • The Role of the Violin and Its Elements in Chinese Opera

    Qin Yu Fu
    DOI: https://doi.org/10.5216/mh.v23.72254

  • Inteligencia artificial Vs creatividad musical, ¿sustituto o complemento?

    Paloma Bravo Fuentes
    DOI: https://doi.org/10.5216/mh.v23.77167

  • Being the other: defamiliarization processes in musical composition

    Felipe de Almeida Ribeiro
    DOI: https://doi.org/10.5216/mh.v23.73322

  • The genesis of opera singing in Ukrainian chamber vocal music

    Natalia Kadanceva, Tetiana Kablova, Yeyu Liu
    DOI: https://doi.org/10.5216/mh.v23.73975

  • Virtual instrument design: The case of the flamenco guitar

    Jagoba Santos Bengoechea, Carlos Duque
    DOI: https://doi.org/10.5216/mh.v23.74380

  • Theoretical and practical foundations of concert and performance activity

    Liliia Shevchenko, Iryna Iryna M. Mogylevska, Nataliia Chuprina, Inna Hodina, Maryna Rusiaieva
    DOI: https://doi.org/10.5216/mh.v23.75286

  • Graduate Studies in Music in Brazil: 40 years of the dissertation “The non legato in the work of Johann Sebastian Bach for keyboard” by Margarida Maria Furtado-Weinberger

    Cássia Virgínia Coelho de Souza, Flavio Apro, Alerson Donizete de Oliveira, Thiago Leme Marconato, Débora Santos Porta Calefi Pereira
    DOI: https://doi.org/10.5216/mh.v23.76303

  • An initial and musical training experience for future teachers: a creative, multidisciplinary and collaborative approach focusing on electroacoustic music

    Adela González-Zamora, Adolf Murillo, Jesús Tejada, Borja Mateu-Luján
    DOI: https://doi.org/10.5216/mh.v23.77087

  • Mutual Interaction and Integration of Music Culture of She and Han Nationalities into the Present

    Huali Xie
    DOI: https://doi.org/10.5216/mh.v23.73185

  • The state of the art of research on music bands in Brazil a systematic integrative review of academic productions, from 2009 to 2020

    Eduardo Lucas da Silva, Paula Maria Galama , Jefferson Costa Silva , Eduardo dos Santos Mariano , Igor Cowosque Costa
    DOI: https://doi.org/10.5216/mh.v23.73681

  • Music education and STEM skills in primary school: a proposal from the music classroom.

    Arantza Campollo- Urkiza, Roberto Cremades Andreu
    DOI: https://doi.org/10.5216/mh.v23.74210

  • Notes on modal music, identity and creation. Perspectives from Ecuador Perspectivas desde Ecuador

    Jannet Alvarado Delgado
    DOI: https://doi.org/10.5216/mh.v23.75565

  • Different approaches to artistic research in music Coessens, Crispin and Douglas (2009), Borgdorff (2012) and López-Cano and San Cristóbal (2014)

    Cauã Canilha, Daniel Wolff
    DOI: https://doi.org/10.5216/mh.v23.76852

  • Scientific production on music therapy: a bibliometry review

    Gislaine Cristina Vagetti, Rosemyriam Ribeiro dos Santos Cunha, Gerson Flores-Gomes, Carlos Fernando França Mosquera , Andressa Dias Arndt
    DOI: https://doi.org/10.5216/mh.v23.72628

  • Design and validation of a questionnaire on selfregulated learning in rehearsals with an accompanying pianist

    José Antonio López-González, Ana Botella Nicolas, Maria del Valle Moya Martinez
    DOI: https://doi.org/10.5216/mh.v23.77288

  • Figure, allegory and performing practice in Brian Ferneyhough's music

    Diego Castro Magas
    DOI: https://doi.org/10.5216/mh.v23.73418

  • Lets play that Impulses of a Tropical Serialism in Jards Macalé

    Carlos Roberto Ferreira dos Santos, Manuel Silveira Falleiros
    DOI: https://doi.org/10.5216/mh.v23.73991

  • Assessment practices in instrumental music classroom

    Mário Cardoso
    DOI: https://doi.org/10.5216/mh.v23.74384

  • Francisco Xavier Baptista’s keyboard works Analysis and attribution of his last sonatas

    Mafalda S. Nejmeddine
    DOI: https://doi.org/10.5216/mh.v23.75308

  • Development of intonation in stringed bowed instrument A descriptive-exploratory study with Chilean specialist teachers

    José Álamos-Gómez, Marcela Oyanedel Silva, Claudio Merino Castro, Tomás Thayer Morel
    DOI: https://doi.org/10.5216/mh.v23.76346

  • Universalism, or the fabrication of concert music A Brazilian history of cultural appropriation, political propaganda, and inequality

    Marta Castello Branco
    DOI: https://doi.org/10.5216/mh.v23.72129

  • Fear and Hope: Contemplating the Parousia in J. S. Bach’s Sacred Cantatas

    Eduardo Sola Chagas Lima
    DOI: https://doi.org/10.5216/mh.v23.77134

  • Chamber music for rock festivals: textural references to progressive rock in Ketil Hvoslef’s Konsert for violin og pop-band (1979)

    Iyán F. Ploquin
    DOI: https://doi.org/10.5216/mh.v23.73305

Outras Palavras

  • Vieses cognitivos na avaliação musical Ouvimos através dos olhos?

    Graziela Bortz, Giullia Assmann Knothe
    DOI: https://doi.org/10.5216/mh.v23.75266

Resenha