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Vol. 26 (2026)
Published: 2026-01-19

Artigos

  • Musical Education in Brazil: A Bibliometric Study of Scientific Production (1999-2024)

    Gregorio Vicente-Nicolás, Eliton Perpetuo Rosa Pereira , Judith Sánchez Marroquí
    DOI: https://doi.org/10.5216/mh.v26.83617
  • Evolution and Adaptation of Tang Xianzu’s Works in Kunqu Opera Repertoire

    Xinyu Hu, Jingyi Wang
    DOI: https://doi.org/10.5216/mh.v26.82985
  • Jangada and Medroso de Amor by Alberto Nepomuceno: a focus on senses and meanings from the perspective of Mikhail Bakhtin’s dialogism

    Magda Miranda Clímaco, Ana Guiomar Rêgo Souza
    DOI: https://doi.org/10.5216/mh.v26.83277
  • Critical Edition or Academic Edition? An Experience with 19th-Century Liturgical Music Manuscripts from the Main Cathedral of Cuenca (Ecuador)

    Arleti María Molerio Rosa, Misael Moya Méndez
    DOI: https://doi.org/10.5216/mh.v26.82813
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Música Hodie is a journal of the Graduate Program in Music of the Federal University of Goiás . Since December 2001, it has been published continuously, initially in two issues per year and, starting in 2019, in an annual edition with a continuous flow. Its Editorial Board and Advisory Board have local, national, and international representation. The journal is indexed in prestigious catalogs such as SCOPUS, RILM – International Repertory of Music Literature, Arts & Humanities Index, EBSCO, and GOOGLE SCHOLAR, and is classified as Qualis (A4) by CAPES.

The Música Hodie Journal aims to encourage scientific and artistic production in the field of music, with an emphasis on topics related to the Postgraduate Program in Music at UFG, currently including Interpretative Practices and Composition, Epistemic Discursive and Formative Practices, and Neuroscience of Music. The publication focuses especially on the most recent musical production.