Interactive Choral Education through Digital Simulations and Visualizations: Developing the Voice Control and Sight-Reading Skills

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DOI:

https://doi.org/10.5216/mh.v25.83039

Palabras clave:

Creative expression, Digital technologies, Group singing, Motivation, Musical ear, Traditional solfège

Resumen

The quality of mastering creative professions depends on the level of utilized teaching mechanisms. This study aims to examine innovative approaches in choral singing instruction through the integration of digital technologies and traditional teaching methods. A comparative analysis of traditional and interactive teaching methods revealed the superiority of the latter, particularly in terms of its impact on student motivation. The teaching process included rehearsal procedures, vocal warm-up structures, articulation style development, and basic acting skills. Traditional instruction involved supplementary piano accompaniment, while interactive methods employed applications such as ChoirMob, Sight-Reading, and MatchMySound. It was found that students in the experimental group, who used digital technologies in their learning, demonstrated higher levels of vocal skills and motivation. In contrast, students in the control group, who relied on traditional teaching mechanisms, showed less interest in choral training, resulting in lower outcomes. The study also assessed the level of choral performance achieved through digital technology (composition "Memory") compared to traditional methods ("Spring, Return"). The choral performance of the experimental group was characterized by greater accuracy, emotional expression, and overall aesthetic quality. The practical significance of this work lies in exploring effective interactive mechanisms for choral performance training. Future research should focus on the potential application of these mechanisms for both remote and in-person instruction.

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Biografía del autor/a

Qi Wang, Music Academy, Chifeng University, ChiFeng, China qiwang@ccomcn.com

Qi Wang is a Doctor of Arts at the Tchaikovsky National Music Academy of Ukraine. He is a Member of China Chorus Association, Member of Piano Basic Education Branch of Beijing Musicians Association, and Member of Chifeng Musicians Association. Also he works as Deputy Director of Chifeng Choral Conducting Association. In 2013, presided over the municipal scientific research project Study on the Art of Zhaowuda Mongolian Folk Songs, which was completed and awarded the second prize of the project.In January 2020, began to preside over the key scientific research project of the Education Department of Inner Mongolia Autonomous Region, Comparative Study on Music Theory Teaching in Colleges and Universities from the Perspective of the Belt and Road—A Case Study of Tchaikovsky National Music Academy of Ukraine and Chifeng University, which was completed in 2023.

 

 

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Publicado

2025-12-02

Cómo citar

WANG, Qi. Interactive Choral Education through Digital Simulations and Visualizations: Developing the Voice Control and Sight-Reading Skills. Música Hodie, Goiânia, v. 25, 2025. DOI: 10.5216/mh.v25.83039. Disponível em: https://revistas.ufg.br/musica/article/view/83039. Acesso em: 5 dic. 2025.

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