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Vol. 26 (2026)
Published: 2026-01-19

Artigos

  • Diferenças estéticas étnicas na ontologia da música xamânica no contexto do pós-modernismo: Uma comparação entre a Coreia do Sul e a China

    Fan chang, Johee Lee, Fei Li
    DOI: https://doi.org/10.5216/mh.v26.83273
  • Musical Education in Brazil: A Bibliometric Study of Scientific Production (1999-2024)

    Gregorio Vicente-Nicolás, Eliton Perpetuo Rosa Pereira , Judith Sánchez Marroquí
    DOI: https://doi.org/10.5216/mh.v26.83617
  • Evolution and Adaptation of Tang Xianzu’s Works in Kunqu Opera Repertoire

    Xinyu Hu, Jingyi Wang
    DOI: https://doi.org/10.5216/mh.v26.82985
  • Wind Bands in Brazil an integrative review of research published between 2021 and 2024

    Jefferson Costa Silva, José Eduardo Costa Silva
    DOI: https://doi.org/10.5216/mh.v26.83400
  • Jangada and Medroso de Amor by Alberto Nepomuceno: a focus on senses and meanings from the perspective of Mikhail Bakhtin’s dialogism

    Magda Miranda Clímaco, Ana Guiomar Rêgo Souza
    DOI: https://doi.org/10.5216/mh.v26.83277
  • Exploring the Regional Instruments of Iranian Folk Music

    Amir Mohammad Siasi Nejad
    DOI: https://doi.org/10.5216/mh.v26.83769
  • Innovations in traditional vocal techniques: The integration of historical performance and contemporary stage practices

    Meruyet Mukhsiynova, Zulfiya Kassimova, Gaukhar Kaspakova, Janel Abeltayeva, Gaukhar Umirzakova
    DOI: https://doi.org/10.5216/mh.v26.83190
  • Exploring the generative AI art technologies in vocal training for increasing aesthetic and emotional perceptions

    Beibei Zhang
    DOI: https://doi.org/10.5216/mh.v26.83504
  • Critical Edition or Academic Edition? An Experience with 19th-Century Liturgical Music Manuscripts from the Main Cathedral of Cuenca (Ecuador)

    Arleti María Molerio Rosa, Misael Moya Méndez
    DOI: https://doi.org/10.5216/mh.v26.82813

Outras Palavras

  • Reseña de disco: Serpiente de Madera. Ana Tijoux. Victoria Producciones SpA, 2025.

    Nelson Rodríguez Vega
    DOI: https://doi.org/10.5216/mh.v26.83311
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Música Hodie is a journal of the Graduate Program in Music of the Federal University of Goiás . Since December 2001, it has been published continuously, initially in two issues per year and, starting in 2019, in an annual edition with a continuous flow. Its Editorial Board and Advisory Board have local, national, and international representation. The journal is indexed in prestigious catalogs such as SCOPUS, RILM – International Repertory of Music Literature, Arts & Humanities Index, EBSCO, and GOOGLE SCHOLAR, and is classified as Qualis (A4) by CAPES.

The Música Hodie Journal aims to encourage scientific and artistic production in the field of music, with an emphasis on topics related to the Postgraduate Program in Music at UFG, currently including Interpretative Practices and Composition, Epistemic Discursive and Formative Practices, and Neuroscience of Music. The publication focuses especially on the most recent musical production.