AI-Mediated Emotional Expressivity in Music Animation Pedagogy: A Cross-Domain Study of Affective-Cognitive Integration

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DOI:

https://doi.org/10.5216/mh.v26.84689

Palavras-chave:

affective computing, cognitive-affective synergy, educational technologies, emotional literacy, pedagogical innovations

Resumo

The aim of this study is to test its utility in complementing music animation pedagogy through cross-domain research: the intersection of auditory tonalities and visual synchronicities, highlighting the limitations of traditional approaches to emotional literacy. Affectiva and OpenFace, chosen for their ability to quantify and articulate nuanced affective states, were used among 149 students (their demographics, differences in prior learning, and cultural context form the basis for interpretive comparisons), revealing a marked shift in 'emotional congruence' (+35% alignment of sound and image elements), self-awareness (+30%) and articulation accuracy (+40%). The dichotomy of pre-intervention impairments (65% failure to elicit consistent emotional intention) and post-intervention transformations (88% success in conveying expression)—reinforced by the emergence of tonal structures—suggests an epistemic redefinition of emotional intelligence itself, mediated by AI. The methodological design—a mixed method enriched by qualitative analysis and quantitative analysis—emphasises the potential of such tools, but reveals inherent limitations: biases embedded in the algorithms (contextual nuances that are often circumvented by the universal logic of AI), regional peculiarities of pedagogical perception and different levels of participants' basic 'emotional literacy'. The resonance of this study—with its implications for cognitive-affective integration—lies in its findings in disrupting established binaries in the emotion/cognition, teaching/learning, and human/algorithmic processes relationships. By considering AI not as a replacement but as a 'mediator' of affective development (a conceptual bridge linking latent potential to explicit expression), this research highlights the untapped synergy of computational methodologies and artistic praxis.

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Biografia do Autor

Xin Qiu, Longyan University, LLongYan City, Fujian Province, The People’s Republic of China xinqiu73@ccomcn.com

Xin Qiu holds PhD of Fine Arts and currently serves as an Associate Professor in the Department of Music at Longyan University, LongYan City, Fujian Province, The People's Republic of China. With a strong academic background and years of teaching experience, he is actively engaged in advancing the field of music education. His research primarily focuses on innovative teaching methodologies, curriculum development, and the integration of modern educational technologies into music instruction. In addition to his research activities, Xin Qiu has contributed to the training of numerous students, guiding them in both theoretical studies and practical performance. He regularly participates in academic conferences and publishes scholarly articles, aiming to foster the growth of music education both within China and internationally.

Institutional email address: 82005018@lyun.edu.cn

Zhe Yuan Wei, Longyan University, LongYan City, Fujian Province, The People’s Republic of China weizheyuan71@outlook.com

Zhe Yuan Wei holds a Doctorate in Education and serves as a Lecturer in the Department of Music at Longyan University (Fujian, China). His research interests include cross-cultural music education, piano pedagogy in higher education, and technology-enhanced learning methodologies. He has recently published in international journals on the development of musical competencies within university settings.

Xun Liu, YunNan Arts University, Yun Nan City, Kunming Province, The People’s Republic of China xun-liu1302@outlook.com

Xun Liu is a researcher and faculty member at the Academy of Fine Arts, Yunnan Arts University (Kunming, China). His academic and artistic work focuses on the field of Fine Arts, with an emphasis on visual and educational practices within the People's Republic of China. His research explores contemporary artistic languages and creative processes associated with his institution.

Yu Lin, Party and Government Office, MinXi Vocational and Technical College, LongYan City, Fujian Province, The People’s Republic of China linyu2698@outlook.com

Yu Lin is a member of the Party and Government Office at Minxi Vocational and Technical College (Longyan, Fujian, China). His professional and academic work is focused on institutional management and government administrative support within the scope of vocational and technical education in Fujian Province. His research interests include organizational efficiency and governance within the context of Chinese higher vocational education institutions.

Biao Qiu, MinXi Vocational and Technical College, LongYan City, Fujian Province, The People’s Republic of China qbiao973@outlook.com

Biao Qiu is a faculty member in the Department of Intelligent Manufacturing at Minxi Vocational and Technical College (Longyan, Fujian, China). His academic and technical work focuses on intelligent manufacturing processes, automation, and industrial technological development. His research interests include the application of smart systems in vocational education and the manufacturing industry.

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Publicado

2026-02-25

Como Citar

QIU, Xin; WEI, Zhe Yuan; LIU, Xun; LIN, Yu; QIU, Biao. AI-Mediated Emotional Expressivity in Music Animation Pedagogy: A Cross-Domain Study of Affective-Cognitive Integration. Música Hodie, Goiânia, v. 26, 2026. DOI: 10.5216/mh.v26.84689. Disponível em: https://revistas.ufg.br/musica/article/view/84689. Acesso em: 2 mar. 2026.

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