Vol. 19 (2021)

Chief Editors: Ana Lúcia Beck, Paulo Henrique Duarte-Feitoza

Image: Girls everywhere girls, tapestry, 2018, 76 x 50 cm.

Author: Elke Hülse

Layout: Cátia Ana Baldoino da Silva

Published: 2022-05-04

Ficha técnica

Issue information v. 19 (2021)
- PDF (Português (Brasil))

Articles

Persistent tradition: between the tapestry by Elke Otte Hülse, the card by Rivane Neuenschwander and the teachings of Luiz Ernesto Aroztegui

Luciane Ruschel Nascimento Garcez, Sandra Makowiecky
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.69135
Beyond the Impressionist label: the critical debate on the Viscontian case in Brazil

Fabíola Cristina Alves
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.61583
This essay analyses the appropriations of African and Afro-Brazilians visual arts works in the teaching of art in basic levels of education in the city of Curitiba, considering the guidelines of the federal law 10.639/2003. It argues about the meanings and discourses given by teachers from the ways of seeing the images. It finds a racialized visuality in pedagogical practices, which could be seen in group interviews using images relevant to the theme. It reveals the permanence of negative stereotypes about the black race and shows an insecurity in teaching and an emergent demand of qualification and research for a teaching practice in favor of this thematic

Fernanda Fares Trovão, Rossano Silva, Dr.
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.60850
The artist as cartographer of oneself: notes on travel report as a legitimating tool

Sofia Porto Bauchwitz
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.59379
Marli Wunder: photography and dynamic creation

Amanda Mauricio Pereira Leite, Alik Wunder, Wenceslao Machado de Oliveira Junior
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.56249
Tina: queer body heterotopic

Mayllon Oliveira, Suely Henrique de Aquino Gomes, Deyvisson Pereira da Costa
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.62352
Ethnographic surrealism, ethnocenology and cartography in performing arts: methodological approaches and distinctions

Vagner de Souza Vargas
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.61892
“This Is America”: the Jim Crow era and American Civil War's sites of memory in Hiro Murai's visual art

Eduardo da Silva Rocha, Sofia Débora Levy
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.59346
The double conditioning of Metal Gear Solid 2: Discursivity and metalanguage in video games

Mauricio Perin, Marcos Beccari
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.62318
The Atlas Project: curating and exhibiting as staging the digital archive by Arno Gisinger and Georges Didi-Huberman

Celina Figueiredo Lage, Amanda Alves
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.55427
The Nymph, the Limit, the uprising of desire

Maura Voltarelli Roque
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.58836
Corporality and precariousness: Botero by the lenses of Butler or Butler by the lenses of Botero?

Hiata Anderson Nascimento, Guaracira Gouvêa de Sousa
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.58447
Appear to Resonance, Inhabit Profundity: Photography and Ethnicity in ‘Mali’ by Jean-Baptiste Huynh

Rafael Tassi Teixeira
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.60470
Silvestre, by Wagner William: constelation and trace

Daniel Baz dos Santos
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.65576
What do post-modern celebrities teach? Problematizing gender by art-education

Roney Gusmão
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.68258
The Photographer as Producer: on photography

Gustavo Racy
- PDF (Português (Brasil))
DOI: https://doi.org/10.5216/v.v19.70615
The development of digital skills of teachers in the transiarte project for the education of working young people and adults

Gilberto Lacerda Santos, Lucio França Teles, Carolina Gracia Moreno, Mirian Sorolla Labrador
- PDF (Español (España))
DOI: https://doi.org/10.5216/v.v19.69024

Interview

Processes and procedures: an interview with Sara Ramos

Maryella Gonçalves Sobrinho, Viviane Baschirotto, Rosângela Miranda Cherem
- PDF (Português (Brasil))

Vol. 19 (2021)

Ficha técnica

Issue information v. 19 (2021)

Articles

Persistent tradition: between the tapestry by Elke Otte Hülse, the card by Rivane Neuenschwander and the teachings of Luiz Ernesto Aroztegui

Beyond the Impressionist label: the critical debate on the Viscontian case in Brazil

The artist as cartographer of oneself: notes on travel report as a legitimating tool

Marli Wunder: photography and dynamic creation

Tina: queer body heterotopic

Ethnographic surrealism, ethnocenology and cartography in performing arts: methodological approaches and distinctions

“This Is America”: the Jim Crow era and American Civil War's sites of memory in Hiro Murai's visual art

The double conditioning of Metal Gear Solid 2: Discursivity and metalanguage in video games

The Atlas Project: curating and exhibiting as staging the digital archive by Arno Gisinger and Georges Didi-Huberman

The Nymph, the Limit, the uprising of desire

Corporality and precariousness: Botero by the lenses of Butler or Butler by the lenses of Botero?

Appear to Resonance, Inhabit Profundity: Photography and Ethnicity in ‘Mali’ by Jean-Baptiste Huynh

Silvestre, by Wagner William: constelation and trace

What do post-modern celebrities teach? Problematizing gender by art-education

The Photographer as Producer: on photography

The development of digital skills of teachers in the transiarte project for the education of working young people and adults

Interview

Processes and procedures: an interview with Sara Ramos

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