Vol. 7 No. 2 (2021): Black(s) Performance(s)

					View Vol. 7 No. 2 (2021): Black(s) Performance(s)

The present issue emerge with the urgency of the contemporary demand relative to several views and multiples performing approach of dance, theatre, circus, scenography and production design and the black way of life in context of diaspora. This dossier gathers papers focused on Black Performance, those involving blacks artists and their several forms of knowledge and struggle for visibility of differences. The publication aims to compile analyses about the black presence and wisdom in Performing Arts and all possibilities of scenic creation, including aesthetic, anthropologic and historic perspectives that involve questions relative to intercrossed policies, performances, poetics, localities, dramaturgies, corporealities and epistemologies.

Guest Editors: Renata de Lima Silva (Kabilaewatala) and Joana Abreu

Editor-in-Chief: Alexandre Nunes

Deputy Editor: Rafael Guarato and Saulo Germano Dallago

Published: 2022-03-25

Editorial

Thematic Dossier

  • Construindo um currículo negro Notas sobre identidade, diferença e aliança no campo das Danças Negras

    Fernando Ferraz
    006-045
    DOI: https://doi.org/10.5216/ac.v7i2.69818
  • I am not a sewer of anyone's semen

    Liana da Cunha
    046-089
    DOI: https://doi.org/10.5216/ac.v7i2.70233
  • BLACK SCENES AND WORLD ENCHANTMENT RESTORATION: A look at the choreographic work of Tiago Oliveira

    Victor Hugo Neves de Oliveira, Tiago Oliveira
    090-113
    DOI: https://doi.org/10.5216/ac.v7i2.70121
  • Entre o cinema e o teatro A utilização de recursos épico-brechtianos em Bacurau

    Brendon de Alcantara Diogo
    114-151
    DOI: https://doi.org/10.5216/ac.v7i2.70439
  • O erê dos 25 anos do Bando de Teatro Olodum

    Regia Mabel Freitas
    152-195
    DOI: https://doi.org/10.5216/ac.v7i2.69907
  • As vozes que geram a forma no teatro negro feminista da Capulanas Cia. de Artes Negra

    Kleber Lourenço
    196-220
    DOI: https://doi.org/10.5216/ac.v7i2.70393
  • Body, voice, word and power. A negação do negro no Teatro brasileiro.

    Newton Armani de Souza
    221-248
    DOI: https://doi.org/10.5216/ac.v7i2.70461
  • Triologia da fuga utopia, memória e futuro nas dramaturgias de Jhonny Salaberg

    Carlos Alberto Mendonça Filho
    249-282
    DOI: https://doi.org/10.5216/ac.v7i2.70140
  • Insubmissão pelas frestas agência de corpos negros de dança e educação.

    André Luiz de Sousa, Juliana Gouthier Macedo
    283-312
    DOI: https://doi.org/10.5216/ac.v7i2.70013
  • Afrocentric epistemologies in the academy challenges concerning a dance professor selection

    Maria Falkembach, Claudio Baptista Carle, Eloisa Leite Domenice
    313-352
    DOI: https://doi.org/10.5216/ac.v7i2.70438

Varied Themes

  • A Direção de Arte e o Mascaramento

    João Pedro Bento Ribeiro
    353-381
    DOI: https://doi.org/10.5216/ac.v7i2.69584
  • Corpo risível: o reverso da cura

    Elderson Melo de Miranda, Rodrigo Peixoto Barbara
    382-410
    DOI: https://doi.org/10.5216/ac.v7i2.70546
  • Laboratório de artes cênicas na socioeducação. Pedagogia teatral para jovens em conflito com a lei.

    José de Souza; Paulo Sérgio de Andrade Bareicha
    411-451
    DOI: https://doi.org/10.5216/ac.v7i2.70455

Experience Report

  • A África no Taanteatro

    Wolfgang Pannek
    452-478
    DOI: https://doi.org/10.5216/ac.v7i2.70445