Vol. 6 No. 2 (2020): Decentering Dance Research

Obra Cartografías Porteñas da  Compañía Danza Sin Fronteras. Créditos:  Ale Carmona

The purpose is to carry out a work of decentralization of dance studies which allows different reflection instances, based on the diagnosis that the practices of academic and artistic research still participate in the construction and maintenance of discourses that invest in the separation between "center' and "periphery, linked to eurocentric and american-centric assumptions. Therefore, it’s necessary to stop operating from the logic that adopts universalizing understanding of "dance history". It isn’t a simple task, especially as long as the hegemonic narratives aren’t destabilized: Is it possible to decentralize dance studies and practices that problematize this condition? The decentralization we seek is projected at different levels: historiographical, ethnographic, gender, racial, class, aesthetic, kinesthetic, choreographic, cultural, political, economic and social. Through this dossier, we’d like to contribute to the establishment of a general movement that encourages critical reflection in dance studies, as well as, that promotes an attentive investigation of the exchanges, circulation and power relations that condition dance and research practices.

Our objective is to favor an extension of dance corpus research, taking as reference the recent works on: cultural exchanges, post-colonial e decolonial studies; but also an exploration of the tension sites existing in the field. It’ll then be a movement to decentralize the look on dances, to decentrealing legitimizing stories, to decentralize institutional conditioning and decentralize ourselves as subjects of knowledge. We propose decentralization as a research exercise that favors the knowledge emergence and exploring the potential of dance research. In addition to its multiple and possible definitions, we understand decentralization as a critical practice and procedure in constant motion.

Guest Editors: Ana Teixeira, Isabelle Launay, Javier Contreras, Juan Ignacio Vallejos, Patricia Aschieri

Editor-in-Chief: Alexandre Nunes

Asociate Editor: Rafael Guarato

Published: 2020-12-27

Editorial

Dossiê Temático - Eixo 1: Manifestos Descentrados

  • EMBARRAR EL CANON por una coreopolítica de la abundancia

    Juan Ignacio Vallejos
    7-37
    DOI: https://doi.org/10.5216/ac.v6i2.66637
  • TODA DANZA VALE Contra lo instituyente de la danza en la jerarquía de los danzares sensibles

    Paulina Abufhele Meza, Santiago Diaz
    34-67
    DOI: https://doi.org/10.5216/ac.v6i2.66560
  • TRANFORMATIONAL BODIES The transface in Brazil

    Ian Guimarães Habib
    68-106
    DOI: https://doi.org/10.5216/ac.v6i2.64738
  • (A)GENTES DE CHOQUE FIESTA, POTENCIA Y PLACER

    Itzel Ibargoyen, Sofía Lans, Matias Arismendi, Martina Gramoso
    102-113
    DOI: https://doi.org/10.5216/ac.v6i2.66310

Dossiê Temático - Eixo 2: Histórias situadas

Dossiê Temático: Eixo 3: Antropologias

  • CORPORALIDADES DIVERSAS EN MOVIMIENTO Descentrar la danza de la danza

    Patricia Aschieri
    205-231
    DOI: https://doi.org/10.5216/ac.v6i2.66256
  • BATUQUE NO CAMPUS pedagogia e espiritualidade

    Marianna Francisca Martins Monteiro
    232-257
    DOI: https://doi.org/10.5216/ac.v6i2.66744
  • “O QUE É QUE A DANÇA TEM A VER COM ISSO?” Considerações sobre perspectivas descentralizadoras e antirracistas em Dança

    Victor Hugo Neves de Oliveira, Thiago da Silva Laurentino
    258-275
    DOI: https://doi.org/10.5216/ac.v6i2.65613
  • PENSARFAZER DANÇA DESDE UMA PERSPECTIVA CONTEMPORÂNEA E DECOLONIAL

    Raquel Purper, Olga Brigitte Oliva de Araújo
    276-310
    DOI: https://doi.org/10.5216/ac.v6i2.65655
  • O QUE A DANÇA VÊ QUANDO DANÇA desafios etnográficos da pesquisa e do registro em primeira pessoa

    Maria Acselrad
    311-341
    DOI: https://doi.org/10.5216/ac.v6i2.65658
  • AUTORÍAS DE LA AUDIENCIA Estrategias de participación para la creación en danza

    Camila Rojas Cannobbio, Loreto Caviedes Jeria
    342-379
    DOI: https://doi.org/10.5216/ac.v6i2.65545

Varied Themes

  • THE FEET UNDERSTAND O filme ABCDEFG, de Russell Dumas (1994)

    Ana Mira
    380-430
    DOI: https://doi.org/10.5216/ac.v6i2.66726
  • OITO PREMISSAS SOBRE O BALÉ EM GOIÂNIA: levantamentos para pesquisas por vir

    Rousejanny da Silva Ferreira
    431-467
    DOI: https://doi.org/10.5216/ac.v6i2.65674
  • SOL E LAMA Corpo e morte em Tatsumi Hijikata e Yukio Mishima a partir de Cores Proibidas

    Thiago Abel, Daniel Aleixo
    468-493
    DOI: https://doi.org/10.5216/ac.v6i2.65523
  • DANÇAS, POÉTICAS E OS SABERES CORPORIFICADOS

    Sebastião Silva Sales, Lara Rodrigues Machado
    494-514
    DOI: https://doi.org/10.5216/ac.v6i2.65093