Vol. 6 No. 1 (2020): Gender Poetics in the Performing Arts

View Vol. 6 No. 1 (2020): Gender Poetics in the Performing Arts

Its aims are discussing and promoting reflections on the current discussions that have arisen about sexuality, the questions that involve the discussion of gender and the poetics of the scene that reflect and discuss the topic. The several forms, languages and manifestations of the performing arts area, shows whether a fertile field to reflections, in reason of her own constituents matrices, that open to imaginary of the otherness and the interchangeability of the characters, as well as by contemporary emergence that these issues presents on performance manifestations, shows and theory reflections.

Published: 2020-07-31

Editorial

  • IDENTITY GUIDELINES AND PERFORMING ARTS

    DOI: https://doi.org/10.5216/ac.v6i1.64773
    Alexandre Silva Nunes, Dalmir Rogério Pereira, Rafael Guarato

Thematic Dossier

  • MONSTRUOSITY IN THE DRAG QUEEN ASSEMBLY The monstrous performance of drag queens, burlesque and voguing dancers photographed

    DOI: https://doi.org/10.5216/ac.v6i1.59818
    MAIRA LOPES BARILLO

  • MODOS DE VIDA QUEER O corpo e a performatividade como estratégias de resistência

    DOI: https://doi.org/10.5216/ac.v6i1.63285
    Roberto Rodrigues

  • PERFORMING PROSTHESIS The technopolitical invention of the transgenous P.P.P (Postition Parallèle au Plancher) (2008) by Phia Ménard

    DOI: https://doi.org/10.5216/ac.v6i1.61990
    Ronildo Júnior Ferreira Nóbrega

  • FEMALE BODY-TEXT DRAMATURGY From diary to the stage

    DOI: https://doi.org/10.5216/ac.v6i1.62001
    Flavia Fernandes Couto

  • BODY: CREATIVE PROCESS ALLWAY

    DOI: https://doi.org/10.5216/ac.v6i1.63167
    Maria Ângela de Ambrosis Pinheiro Machado

  • “GOSTO DE FLOR” Dramaturgy of images and personal mythology in the play of poetic construction

    DOI: https://doi.org/10.5216/ac.v6i1.59894
    Robson Carlos Haderchpek

  • ANIMA AND/IN PERFORMANCE Pathways in the poetics of femininity

    DOI: https://doi.org/10.5216/ac.v6i1.63327
    João Vítor Ferreira Nunes

  • THE FIGHT FOR SORORITY Female union and an a militant experience in clowning

    DOI: https://doi.org/10.5216/ac.v6i1.61179
    Tayná Campos Wolff

  • WOMEN IN MAMULENGO, TRANSFORMING THE PREJUDICE

    DOI: https://doi.org/10.5216/ac.v6i1.62195
    Barbara Duarte Benatti

  • COLLECTIVE TRANSPERFORMANCE Bizarrics and non-binarisms caused in (and from) the performing body

    DOI: https://doi.org/10.5216/ac.v6i1.64197
    Ricardo Marinelli Martins, Rafael Guarato

Varied Themes

  • RITUAL IN THE DIGITAL AGE Body, media and cyberactivism in the actions of pyoter pavlensky

    DOI: https://doi.org/10.5216/ac.v6i1.61933
    Saulo Vinícius Almeida

  • CRUEL DESIRE IN PERFORMANCE OF THE BODY WITHOUT ORGANS

    DOI: https://doi.org/10.5216/ac.v6i1.61267
    Rodrigo Peixoto Barbara

  • THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA

    DOI: https://doi.org/10.5216/ac.v6i1.62450
    Alexandre Lautert

  • IN THE PEDAGOGICAL CROSSROADS Capoeira angola in training processes in performing arts

    DOI: https://doi.org/10.5216/ac.v6i1.63844
    Laís Alberto Schonhorst

  • HOSPITAL CLOWNING FROM A TRANSPERSONAL VIEW

    DOI: https://doi.org/10.5216/ac.v6i1.63548
    Daiani Cezimbra Brum, Deise Battestin

Essay