Vol. 6 No. 1 (2020): Gender Poetics in the Performing Arts

View Vol. 6 No. 1 (2020): Gender Poetics in the Performing Arts

Its aims are discussing and promoting reflections on the current discussions that have arisen about sexuality, the questions that involve the discussion of gender and the poetics of the scene that reflect and discuss the topic. The several forms, languages and manifestations of the performing arts area, shows whether a fertile field to reflections, in reason of her own constituents matrices, that open to imaginary of the otherness and the interchangeability of the characters, as well as by contemporary emergence that these issues presents on performance manifestations, shows and theory reflections.

Published: 2020-07-31

Editorial

  • IDENTITY GUIDELINES AND PERFORMING ARTS

    Alexandre Silva Nunes, Dalmir Rogério Pereira, Rafael Guarato
    DOI: https://doi.org/10.5216/ac.v6i1.64773

Thematic Dossier

  • MONSTRUOSITY IN THE DRAG QUEEN ASSEMBLY The monstrous performance of drag queens, burlesque and voguing dancers photographed

    MAIRA LOPES BARILLO
    DOI: https://doi.org/10.5216/ac.v6i1.59818

  • MODOS DE VIDA QUEER O corpo e a performatividade como estratégias de resistência

    Roberto Rodrigues
    DOI: https://doi.org/10.5216/ac.v6i1.63285

  • PERFORMING PROSTHESIS The technopolitical invention of the transgenous P.P.P (Postition Parallèle au Plancher) (2008) by Phia Ménard

    Ronildo Júnior Ferreira Nóbrega
    DOI: https://doi.org/10.5216/ac.v6i1.61990

  • FEMALE BODY-TEXT DRAMATURGY From diary to the stage

    Flavia Fernandes Couto
    DOI: https://doi.org/10.5216/ac.v6i1.62001

  • BODY: CREATIVE PROCESS ALLWAY

    Maria Ângela de Ambrosis Pinheiro Machado
    DOI: https://doi.org/10.5216/ac.v6i1.63167

  • “GOSTO DE FLOR” Dramaturgy of images and personal mythology in the play of poetic construction

    Robson Carlos Haderchpek
    DOI: https://doi.org/10.5216/ac.v6i1.59894

  • ANIMA AND/IN PERFORMANCE Pathways in the poetics of femininity

    João Vítor Ferreira Nunes
    DOI: https://doi.org/10.5216/ac.v6i1.63327

  • THE FIGHT FOR SORORITY Female union and an a militant experience in clowning

    Tayná Campos Wolff
    DOI: https://doi.org/10.5216/ac.v6i1.61179

  • WOMEN IN MAMULENGO, TRANSFORMING THE PREJUDICE

    Barbara Duarte Benatti
    DOI: https://doi.org/10.5216/ac.v6i1.62195

  • COLLECTIVE TRANSPERFORMANCE Bizarrics and non-binarisms caused in (and from) the performing body

    Ricardo Marinelli Martins, Rafael Guarato
    DOI: https://doi.org/10.5216/ac.v6i1.64197

Varied Themes

  • RITUAL IN THE DIGITAL AGE Body, media and cyberactivism in the actions of pyoter pavlensky

    Saulo Vinícius Almeida
    DOI: https://doi.org/10.5216/ac.v6i1.61933

  • CRUEL DESIRE IN PERFORMANCE OF THE BODY WITHOUT ORGANS

    Rodrigo Peixoto Barbara
    DOI: https://doi.org/10.5216/ac.v6i1.61267

  • THE CHORUS AS A SPACE MODIFYING AGENT IN THE STAGING OF GLUCK’S ORPHEUS AND EURYDICE OPERA

    Alexandre Lautert
    DOI: https://doi.org/10.5216/ac.v6i1.62450

  • IN THE PEDAGOGICAL CROSSROADS Capoeira angola in training processes in performing arts

    Laís Alberto Schonhorst
    DOI: https://doi.org/10.5216/ac.v6i1.63844

  • HOSPITAL CLOWNING FROM A TRANSPERSONAL VIEW

    Daiani Cezimbra Brum, Deise Battestin
    DOI: https://doi.org/10.5216/ac.v6i1.63548

Essay