Vol. 4 No. 2 (2004)

View Vol. 4 No. 2 (2004)
Published: 2007-11-07

Editorial

  • Editorial e Expediente 4.2

    Conselho Editorial
    DOI: https://doi.org/10.5216/mh.v4i2.3939

Artigos

  • Stylistic deviations in Choro Torturado by Camargo Guarnieri

    Elaine Milazzo e Any Raquel Carvalho
    DOI: https://doi.org/10.5216/mh.v4i2.3932

  • A Model for the Performance of Brazilian Song over Mário de Andrade and Oswaldo de Souza´s view

    Martha Herr
    DOI: https://doi.org/10.5216/mh.v4i2.3933

  • The roll of music making in the regular school

    Edna Aparecida Costa Vieira , Alice Vieira e Eliane Leão
    DOI: https://doi.org/10.5216/mh.v4i2.3934

  • Considerations on Vers une Musique Informelle by Theodor Wiesengrund Adorno

    Alicia Cupani , Gabriela García Maloucaze e Guilherme Mannis
    DOI: https://doi.org/10.5216/mh.v4i2.3935

  • The question of ambiguity on the creation of the subject in L’Incoronazione di Poppea by Claudio Monteverdi

    Silvana Scarinci
    DOI: https://doi.org/10.5216/mh.v4i2.3936

  • DIAGNÓSTICO, ESTRATÉGIAS E CAMINHOS

    Pablo Sotuyo Blanco
    DOI: https://doi.org/10.5216/mh.v4i2.3938

Resumo

Primeira Impressão

  • TENEBRAE FACTAE SUNT, AS PASTORINHAS E ABAC DO SERTÃO

    Ângelo Dias
    DOI: https://doi.org/10.5216/mh.v4i2.3940