Vol. 26 (2026)

Published: 2026-01-19

Artigos

  • Musical Education in Brazil: A Bibliometric Study of Scientific Production (1999-2024)

    Gregorio Vicente-Nicolás, Eliton Perpetuo Rosa Pereira , Judith Sánchez Marroquí
    DOI: https://doi.org/10.5216/mh.v26.83617

  • AI-Mediated Emotional Expressivity in Music Animation Pedagogy: A Cross-Domain Study of Affective-Cognitive Integration

    Xin Qiu, Zhe Yuan Wei, Xun Liu, Yu Lin, Biao Qiu
    DOI: https://doi.org/10.5216/mh.v26.84689

  • Familia y profesorado como factores de influencia en el desarrollo de habilidades performativas pianísticas superiores

    Guido Sciurano, Jesús Tejada Giménez
    DOI: https://doi.org/10.5216/mh.v26.82791

  • Innovations in traditional vocal techniques: The integration of historical performance and contemporary stage practices

    Meruyet Mukhsiynova, Zulfiya Kassimova, Gaukhar Kaspakova, Janel Abeltayeva, Gaukhar Umirzakova
    DOI: https://doi.org/10.5216/mh.v26.83190

  • Wind Bands in Brazil an integrative review of research published between 2021 and 2024

    Jefferson Costa Silva, José Eduardo Costa Silva
    DOI: https://doi.org/10.5216/mh.v26.83400

  • Binaural and/or stereo self-listening as a tool for musical performance simulation Evaluating immersion and neural responses

    Nery Borges, Pedro Bem-Hajoa, Isaac Raimundo, Helena Marinho, Marcos V. Araújo, Anabela Pereira , Isabel M. Santos
    DOI: https://doi.org/10.5216/mh.v26.83941

  • Evolution and Adaptation of Tang Xianzu’s Works in Kunqu Opera Repertoire

    Xinyu Hu, Jingyi Wang
    DOI: https://doi.org/10.5216/mh.v26.82985

  • Pagode with a groove The album Pluralidade in the spirals of Salvador's music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima, Lucas Amorim, Melina Santos
    DOI: https://doi.org/10.5216/mh.v26.83291

  • Exploring the Regional Instruments of Iranian Folk Music

    Amir Mohammad Siasi Nejad
    DOI: https://doi.org/10.5216/mh.v26.83769

  • Critical Edition or Academic Edition? An Experience with 19th-Century Liturgical Music Manuscripts from the Main Cathedral of Cuenca (Ecuador)

    Arleti María Molerio Rosa, Misael Moya Méndez
    DOI: https://doi.org/10.5216/mh.v26.82813

  • Diferenças estéticas étnicas na ontologia da música xamânica no contexto do pós-modernismo: Uma comparação entre a Coreia do Sul e a China

    Fan chang, Johee Lee, Fei Li
    DOI: https://doi.org/10.5216/mh.v26.83273

  • Exploring the generative AI art technologies in vocal training for increasing aesthetic and emotional perceptions

    Beibei Zhang
    DOI: https://doi.org/10.5216/mh.v26.83504

  • Enhancing Chinese Percussion Education through Virtual Reality: Psychological Impact and Academic Performance

    Wei Wang
    DOI: https://doi.org/10.5216/mh.v26.84688

  • O hiper-romantismo em Leo brouwer características composicionais e narratividade em El decameron negro

    Felipe Augusto Vieira da Silva
    DOI: https://doi.org/10.5216/mh.v26.81514

  • Nada Nusantara: Transcending Cultural Boundaries Through Transcultural Music Compositions

    Marzelan Salleh, Alan Williams, Camellia Siti Maya Mohamed Razali, Abdul Rachman, Irfanda Rizki Harmono Sejati
    DOI: https://doi.org/10.5216/mh.v26.82989

  • The Musical Collection of Santa Catarina School in Juiz de Fora maintenance and changes of a German-Brazilian culture

    Letícia Almeida Carlos, Marta Castello Branco
    DOI: https://doi.org/10.5216/mh.v26.83875

  • Motivación en el aprendizaje de la viola y el violín con software de apoyo a la entonación instrumental

    Fernando López Calatayud, Remigi Morant Navasquillo
    DOI: https://doi.org/10.5216/mh.v26.82835

  • Jangada and Medroso de Amor by Alberto Nepomuceno: a focus on senses and meanings from the perspective of Mikhail Bakhtin’s dialogism

    Magda Miranda Clímaco, Ana Guiomar Rêgo Souza
    DOI: https://doi.org/10.5216/mh.v26.83277

Outras Palavras

  • Reseña de disco: Serpiente de Madera. Ana Tijoux. Victoria Producciones SpA, 2025.

    Nelson Rodríguez Vega
    DOI: https://doi.org/10.5216/mh.v26.83311

Resenha

Special Issue on the 19th Brazilian Symposium on Computer Music

  • Collaborative Dynamics in Electroacoustic Music Creativity: Telematic Dialogues Across Apparatuses

    Paulo C. Chagas, Ivana Petković Lozo
    DOI: https://doi.org/10.5216/mh.v26.85132