Vol. 30 No. 3 (2018)

View Vol. 30 No. 3 (2018)
Published: 2018-08-31

Article

  • Antonio Candido and the awareness of backwardness

    Paulo Elias Allane Franchetti
    318-345
    DOI: https://doi.org/10.5216/sig.v30i3.52218

  • Fraturated identities: variations of double in Two Brothers, by Milton Hatoum

    Flávio Pereira Camargo, Alex Bruno da Silva
    346-364
    DOI: https://doi.org/10.5216/sig.v30i3.51087

  • The rejection of aesthetics in Boris Eikhenbaum’s formalist theory

    Olga Donata Guerizoli Kempinska
    365-380
    DOI: https://doi.org/10.5216/sig.v30i3.51530

  • Purity and nature in Paul Valéry’s “Cantate du Narcisse narcisse”

    Rodrigo de Oliveira Lemos
    381-403
    DOI: https://doi.org/10.5216/sig.v30i3.48713

  • Three shots in Saravejo: poetry, photography and violence in Claudia Roquette-Pinto

    Aulus Mandagará Martins
    404-416
    DOI: https://doi.org/10.5216/sig.v30i3.50288

  • Myth, performance and poetics in O Paraíso Perdido, by Teatro da Vertigo

    Douglas Ceccagno
    417-433
    DOI: https://doi.org/10.5216/sig.v30i3.48071

  • The instability in the fictional universe of essa terra, by Antônio Torres

    Rogerio Gustavo Gonçalves
    434-449
    DOI: https://doi.org/10.5216/sig.v30i3.46091

  • Articulating fiction, theory and criticism in Ian McEwan’ssweet tooth

    Caio Antônio Nóbrega, Genilda Azerêdo
    450-473
    DOI: https://doi.org/10.5216/sig.v30i3.48920

  • Silva freire and the poetics of matrix-words: resonances of the process//poem

    Vinicius Carvalho Pereira
    474-498
    DOI: https://doi.org/10.5216/sig.v30i3.48986

  • Literary representations of identity and difference concerning blindness stereotypes

    Ricardo Sobreira
    499-523
    DOI: https://doi.org/10.5216/sig.v30i3.49174