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Analysis of certain aspects of the Albanian musical folklore

Autores/as

DOI:

https://doi.org/10.5216/mh.v24.77208

Palabras clave:

Kosovo Highlanders, folk art, ethnic traditions, monody, costume ornamentation

Resumen

Abstract. The relevance of the key aspects of the musical culture of ethnic groups of Albania in the present period arises due to the intensification of globalisation processes and the resulting tendency towards cultural and everyday unification in the world. The research aims to reveal the peculiarities of the national musical creativity of the Kosovo highlanders. The analysis, comparison and synthesis methods of key folklore aspect research was used. The original texts of the songs (in the form of manuscript copies) and video recordings of choreographic samples of folk art were analysed. In the process of studying aspects of oral traditional musical (vocal; dance; theatre and games) art of inhabitants of one of the regions of Kosovo (Rugova), features of song creation; folk choreographic art; theatre performances and sports games; arts and crafts heritage were revealed. Key categories of each branch of the folklore fund of Kosovo highlanders were established. The features peculiar to the vocal music of Rugova were identified (monody (one-voice), as a texture fold and singing principle; the voiceless sound system (pentatonic), including elements of microchromatics (in glissando episodes); instrumentation (lahuta; çiftelia; kavall). The specificity of national costumes, which contribute to the convenience, comfort, and health protection of the autochthonous population in the conditions of difficult climate and landscape, as well as the originality and originality of their design, was also paid attention to. The scientific novelty of the research consists in its concept, according to which the oral traditional creativity of the Rugova inhabitants acts as a voluminous integral system, including several key components. The research's practical significance is determined by the possibility of using its ideas in the study of the folklore of other ethnic groups, which is still unexplored. The results of the study can be useful for musicologists, cultural studies, folklorists, historians, as well as ethnographers.

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Biografía del autor/a

Arsim Kelmendi, Department of Music, Haxhi Zeka University, Peja, Kosovo, kelmendiarsim139@gmail.com

Arsim Kelmendi is a musicologist and professor with a master's degree in Musicological Sciences from the University of Pristina, Faculty of Arts, where he specialized in instrumental music, particularly in the oboe section. He has published numerous research papers in various international and national academic journals, focusing on the development of musical ensembles and wind instrument performance in Kosovo. He is also involved in teaching music theory and history at the University "Haxhi Zeka" in Pejë, Kosovo. Kelmendi has participated in various conferences and symposia across Europe, contributing to discussions on Eastern European music before and after the Cold War, and has been a member of several choirs and orchestras, performing as a principal oboist in numerous concerts across Kosovo, Germany, and other European countries.

Hysen Nimani, Department of Music, Haxhi Zeka University, Peja, Kosovo, hysennimani3@hotmail.com

 

Hysen Nimani is a professor at Universiteti Haxhi Zeka in Pejë, Kosovo, where he has been teaching since October 2011. With over 13 years of academic experience, he has contributed significantly to higher education in the region. In addition to his role at the university, Nimani has also been a professor at SH-M-M "Halit Kasapolli" since September 2009, amassing over 15 years of experience in education. Alongside his academic career, he serves as General Manager of Vranina, a position he has held since March 1996, bringing over 28 years of managerial expertise.

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Publicado

2024-10-07

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Cómo citar

KELMENDI, A.; NIMANI, H. Analysis of certain aspects of the Albanian musical folklore. Música Hodie, Goiânia, v. 24, 2024. DOI: 10.5216/mh.v24.77208. Disponível em: https://revistas.ufg.br/musica/article/view/77208. Acesso em: 19 dic. 2024.

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