Dialectical Fusionism and Hong Kong Contemporary Music

A Study of Chan Wing-Wah's Symphonies 5, 7, and 8

Abstract

Hong Kong, often hailed as “Asia’s World City,” has long been a vibrant cultural crossroad between Eastern and Western influences. This article delves into the unique international character and individuality inherent in Hong Kong musical landscape, with a specific focus on the compositions of Chan Wing-Wah—a prominent pioneer in the development of contemporary “art” music in the city. Our investigation navigates the aesthetic concept of “dialectical fusionism” within Chan’s musical creations, offering close readings of three symphonies: “Three Kingdoms” (1995), “The Great Wall” (2005), and “This Boundless Land” (2006). By charting the contextual evolution of Hong Kong’s musical style, this research provides references for contemporary Hong Kong music and its scholarly exploration, shedding light on the city’s distinctive artistic identity.