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Timber Exploration on a piece for Brazilian Pandeiro Solo: Composition and Performance

Authors

Vitor Lyra Biagioni Universidade Federal de Uberlândia, Uberlândia, Minas Gerais, Brasil, vlyra95@gmail.com https://orcid.org/0000-0001-6939-806X
Cesar Adriano Traldi Universidade Federal de Uberlândia, Uberlândia, Minas Gerais, Brasil, ctraldi@gmail.com https://orcid.org/0000-0003-1001-2470

DOI:

https://doi.org/10.5216/mh.v21.68147

Keywords:

Brazilian pandeiro, timbral exploration, composition, musical performance

Abstract

Here we present reflections on the compositional and interpretative process of the work XXXXXX for Brazilian pandeiro solo. The objective is to demonstrate how the use of different techniques of timbre exploration in the pandeiro possible the creation of a sound / innovative musical discourse for this instrument traditionally with the function of rhythmic marking in Brazilian popular music. Interpretative challenges are also required, describing the solutions found by the authors. We hope that the reflections here can be of assistance to relevant composers and interpreters in the use of the Brazilian pandeiro in new musical contexts.

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Author Biographies

Vitor Lyra Biagioni, Universidade Federal de Uberlândia, Uberlândia, Minas Gerais, Brasil, vlyra95@gmail.com

Vitor Lyra Biagioni has a bachelor's degree in percussion from Usp and graduated from Centro Universitário Claretiano. Studying specialization at UFSCAR and master's degree in music at UFU. He is a music educator for the GURI-Ribeirão Preto project.

Cesar Adriano Traldi, Universidade Federal de Uberlândia, Uberlândia, Minas Gerais, Brasil, ctraldi@gmail.com

Cesar Traldi holds a bachelor's degree in percussion and a doctorate in music from Unicamp. He is a percussion teacher, researcher at the Music and Technology Center at UFU.

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Published

2021-11-11 — Updated on 2021-11-14

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How to Cite

LYRA BIAGIONI, V.; TRALDI, C. A. Timber Exploration on a piece for Brazilian Pandeiro Solo: Composition and Performance. MUSICA HODIE, Goiânia, v. 21, 2021. DOI: 10.5216/mh.v21.68147. Disponível em: https://revistas.ufg.br/musica/article/view/68147. Acesso em: 18 may. 2024.