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Vol. 24 (2024): Música Hodie
View Vol. 24 (2024): Música Hodie
Published: 2024-09-13

Artigos

  • “De vez em quando eu morro, mas hoje não”: Musicoterapia e processos emancipatórios de pessoas em situação de imigração involuntária ou refúgio

    Andressa Dias Arndt
    DOI: https://doi.org/10.5216/mh.v24.78877

  • Irony and the First Movement of Prokofiev’s Violin Sonata in F Minor (Op. 80)

    Junda Wu
    DOI: https://doi.org/10.5216/mh.v24.79481

  • The Emergent Properties of the Opera Genre in the Contemporary Musical Context

    Olha Putiatytska, Olena Sakalo, Vira Artemievа, Dmytro Shchyrytsia, Olena Yakymchuk
    DOI: https://doi.org/10.5216/mh.v24.79940

  • Training and Use of Contemporary Music by Conservatory Teachers in Spain

    Miren Pérez Eizaguirre, Marta Martínez-Rodríguez, María Elena Cuenca Rodríguez, Raquel Pastor Prada
    DOI: https://doi.org/10.5216/mh.v24.78344

  • Entre o Passado e o Futuro A ópera contemporânea brasileira no século XXI

    Homero Velho
    DOI: https://doi.org/10.5216/mh.v24.79006

  • Advanced string instruments in the musical culture of Kazakhs, Kyrgyz, and UzbeksAdvanced string instruments in the musical culture of Kazakhs, Kyrgyz, and Uzbeks

    Balzhan Junussova, Saule Utegalieva, Aiganym Shugay, Alibi Abdinurov, Maxat Medeubek
    DOI: https://doi.org/10.5216/mh.v24.79380

  • Movement and posture during marimba performance solo marimba works’ analysis and composition of technical exercises

    Guilherme Massao Misina, Eduardo Lopes, Stephan Froleyks
    DOI: https://doi.org/10.5216/mh.v24.79758

  • A “Viola quebrada” e a doce música: entre o Mário de Andrade cantor e o teórico : entre o Mário de Andrade cantor e o teórico

    Pedro Razzante Vaccari
    DOI: https://doi.org/10.5216/mh.v24.78264

  • Improvement of Musical Technique in Playing Wind Instruments: Individual Approach and the Use of Digital Innovations

    Tianlong Huang
    DOI: https://doi.org/10.5216/mh.v24.79319

  • Musical Folklore of Rugova: Insights into Song, Dance, and Cultural Heritage in Kosovo’s Highlanders Perspectivas sobre Canção, Dança e Patrimônio Cultural dos Habitantes das Montanhas de Kosovo

    Arsim Kelmendi, Hysen Nimani
    DOI: https://doi.org/10.5216/mh.v24.77208

  • The Learning Communities project as a strategy to promote critical music education in schools

    Antonio Fernández-Jiménez
    DOI: https://doi.org/10.5216/mh.v24.80030

  • Optimizing the learning environment in music bands: a study on cognitive and sociocognitive processes

    Jefferson Costa , Gleidson Jordan dos Santos
    DOI: https://doi.org/10.5216/mh.v24.79109

  • Characteristics of nationalized creation of Chinese accordion music

    Ruichen Sun , Yuqi Bai, Fangyi Zang , Chao Peng
    DOI: https://doi.org/10.5216/mh.v24.79406

  • Sound and Sustainability: an experience in initial teacher training

    Ana Urrutia
    DOI: https://doi.org/10.5216/mh.v24.79932

  • Between Technology and the Body: Data and Challenges During the Pandemic.

    Thayná Xavier, Paulo Egídio Luckman, Rael Bertarelli Gimenes Toffolo
    DOI: https://doi.org/10.5216/mh.v24.78437

  • Synergy of traditions and technologies: Improving access to Chinese musical heritage through massive open online courses (MOOCS)

    Xiaopeng Chen
    DOI: https://doi.org/10.5216/mh.v24.78925

  • A prática musical organística no antigo Real Mosteiro de São Bento da Avé-Maria do Porto e a sua relação com o documento M[appa de registar o] Órgão da Biblioteca Nacional de Portugal

    Marco Brescia, João Vaz
    DOI: https://doi.org/10.5216/mh.v24.79721

  • AMI: Algorithmic Music Interface

    Francisco Colasanto, Rodrigo Sigal
    DOI: https://doi.org/10.5216/mh.v24.78922

  • Self-efficacy in musical performance: Towards humanising processes in assessment of learning

    Betsabé Puebla Álvarez, Rolando Angel-Alvarado
    DOI: https://doi.org/10.5216/mh.v24.78393

  • La presencia de las mujeres en las orquestas sinfónicas españolas

    Eli Arabaolaza Elorza, Gotzon Ibarretxe Txakartegi
    DOI: https://doi.org/10.5216/mh.v24.77177

  • La Enseñanza del Violín: un Estudio Exploratorio de las Concepciones Sobre los Procesos Educativos y el Perfil del Profesorado en Italia

    Pierangela Palma, Carolina Bonastre
    DOI: https://doi.org/10.5216/mh.v24.78257

  • Musical performance and its deterritorializing force

    Artur de Melo Miranda Azzi, Flavio Barbeitas, João Morales
    DOI: https://doi.org/10.5216/mh.v24.79155

  • Music and the bodies that (do not) matter popular music reactions to state massacres

    Letícia Porto Ribeiro, Marcello Messina
    DOI: https://doi.org/10.5216/mh.v24.78735

  • A utopia de Björk um ensaio sobre o referencial simbólico do álbum musical Utopia (2017)

    Priscila Gonçalves Magossi, Jaimeson Machado Garcia
    DOI: https://doi.org/10.5216/mh.v24.79336

  • A Critical Reflection on the Impact of String Instruments in Piano Performance: Insights from the Pianist's Perspective

    Oscar Caravaca Gonzalez
    DOI: https://doi.org/10.5216/mh.v24.78343

  • Lilinha Fernandes e Quincas Laranjeiras: critérios para a edição diplomática de Andorinhas

    Humberto Amorim
    DOI: https://doi.org/10.5216/mh.v24.78509

  • Collective musical composition in the training of generalist teachers: a qualitative and interpretative approach

    Sandrina Milhano
    DOI: https://doi.org/10.5216/mh.v24.79588

Dossier SiMN 2023 New Music

  • Interatividade na música eletrovocal e voz mítica: a dinâmica de co-criação entre compositor e intérprete em ambiente digital

    Doriana Mendes, Ivan Simurra
    DOI: https://doi.org/10.5216/mh.v24.78617

  • Tecnomorfismo enquanto processo composicional em duas peças de Patricia Alessandrini

    Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva
    DOI: https://doi.org/10.5216/mh.v24.78608

  • Solfèges, images, inventions The different paths of sound imaginary

    Pedro Yugo Sano Mani, Vinícius Cesar de Oliveira, Silvio Ferraz
    DOI: https://doi.org/10.5216/mh.v24.78572

  • Listening with machines, composing with birds on ‘nós, passarinho’, for flute and live-electronics

    José Henrique Padovani
    DOI: https://doi.org/10.5216/mh.v24.78610

  • The Resonator as a Model for Musical Textures in the Context of Instrumental Contemporary Composition

    Rodolfo Valente
    DOI: https://doi.org/10.5216/mh.v24.78402

  • Episódios para uma história da gravação de campo no Brasil

    Gustavo Branco Germano, Fernando Iazzetta
    DOI: https://doi.org/10.5216/mh.v24.78600

  • Charles S. Peirce’s triadic semiotics and creativity in the interpretation of experimental music predication and form in the realization process of One for One by Jean-Luc Guionnet

    Cristián Alvear, Juan Sebastián Lach Lau
    DOI: https://doi.org/10.5216/mh.v24.78403
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Música Hodie is a journal of the Graduate Program in Music of the Federal University of Goiás . Since December 2001, it has been published continuously, initially in two issues per year and, starting in 2019, in an annual edition with a continuous flow. Its Editorial Board and Advisory Board have local, national, and international representation. The journal is indexed in prestigious catalogs such as SCOPUS, RILM – International Repertory of Music Literature, Arts & Humanities Index, EBSCO, and GOOGLE SCHOLAR, and is classified as Qualis (A4) by CAPES.

The Música Hodie Journal aims to encourage scientific and artistic production in the field of music, with an emphasis on topics related to the Postgraduate Program in Music at UFG, currently including Interpretative Practices and Composition, Epistemic Discursive and Formative Practices, and Neuroscience of Music. The publication focuses especially on the most recent musical production.