Vol. 5 No. 1/2 (2002)

View Vol. 5 No. 1/2 (2002)
DOI: https://doi.org/10.5216/c&i.v5i1/2
Published: 2013-05-13

Artigos

  • Bad conscience, cruelty and narcissism ‘in reverse’ in the contemporary brazilian cinema

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24167
    Fernão Pessoa Ramos
    13-24

  • The documentary as audiovisual genre

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24168
    Cristina Teixeira Vieira de Melo
    25-40

  • The victory of Cronicamente Inviável

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24169
    José Teixeira Neto
    41-50

  • Images of violence: constructions and representations

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24170
    Tânia Siqueira Montoro
    21-62

  • The representation of alterity: the Brazilian indian stereotypes in fiction cinema of the 70s

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24171
    Rosa Berardo
    63-75

  • Cinema and Journalism: Boca de Ouro, the film, and the collapse of journalistic objectivity

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24173
    Lisandro Nogueira
    77-93

  • Advertising aesthetics and cinematic language: an imagery and post-modern analysis of the movie Cidade de Deus

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24174
    Layo Fernando Barros de Carvalho
    95-116

  • Despair in the present: an interpretation of "Tales of Ordinary Madness"

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24175
    Ricardo Musse
    117-119

  • The unconscious according to Ingmar Bergman

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24176
    Lourival Belém Júnior
    121-129

  • Cinema and History

    DOI: https://doi.org/10.5216/c&i.v5i1/2.24177
    Lisbeth Oliveira
    131-137

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