Vol. 17 (2019)

Capa Revista Visualidades

Fotografia e montagem: Cátia Ana Baldoino da Silva

Published: 2019-05-08

Editorial

Articles

  • The color of the sacred in Céu sobre água (Sky over water) (1978), by José Agrippino de Paula

    Cyntia Nogueira
    19
    DOI: https://doi.org/10.5216/vis.v17.48227

  • The abyss through the mirror the actuality of Vampyroteuthis Infernalis of Vilém Flusser

    Marcos Namba Beccari
    14
    DOI: https://doi.org/10.5216/vis.v17.57487

  • Aby Warburg cultural exchanges between North and South

    Cássio Fernandes
    26
    DOI: https://doi.org/10.5216/vis.v17.57277

  • The aesthetic of politics reflections on political street demonstrations within contemporary art

    Miguel Antonio Cotrim, Paulo Fernando de Almeida Souza
    26
    DOI: https://doi.org/10.5216/vis.v17.55049

  • Poetic correspondence the (non) verbal language in the series of video letters by Shuntar? Tanikawa and Shûji Terayama

    Maruzia de Almeida Dultra
    18
    DOI: https://doi.org/10.5216/vis.v17.50121

  • Sharing Urban Art Experiences o coletivo Mulheres no Graffiti

    Jo A-mi
    21
    DOI: https://doi.org/10.5216/vis.v17.50477

  • Photo clubbing in Manaus from pioneer initiatives in 1990 to the effervescence of the beginning of the years 2000

    Khetllen Da Costa Tavares, Luciane Viana Barros Páscoa
    27
    DOI: https://doi.org/10.5216/vis.v17.50368

  • The presence of the classic body in contemporary art and culture’s manifestations

    Ricardo Coelho
    32
    DOI: https://doi.org/10.5216/vis.v17.50382

  • Dialogues between sound and color amplified nuances

    Rebeca Torrezani Martins Hippertt, Luciana Martha Silveira
    26
    DOI: https://doi.org/10.5216/vis.v17.50324

  • Performance Pornorama the queer Pornochanchada

    Alessandro José Oliveira
    23
    DOI: https://doi.org/10.5216/vis.v17.51282

  • The primitive flirts with the modern Carmen Miranda´s films as staging of the relations between the United States and Latin America in the Good Neighbor Policy

    Káritha Bernardo de Macedo, Mara Rúbia Sant´ Anna
    24
    DOI: https://doi.org/10.5216/vis.v17.57401

  • Contemporary Art and Spatiality Alberto Tassinari and the reflections of Hélio Oiticica in "Aspiro ao Grande Labirinto"

    Cristiane dos Guimarães Alvim Nunes, Luis Eduardo dos Santos Borda, Marco Antonio Pasqualini de Andrade
    17
    DOI: https://doi.org/10.5216/vis.v17.56089

  • Art as imaginary of the cities an experience in the schools of the DF

    Priscila Rossinetti Rufinoni, Benedetta Bisol
    17
    DOI: https://doi.org/10.5216/vis.v17.58652

  • "The Power of Hands" ways of seeing the crafts and craftsmen of Santa Catarina in the visuality of a catalog (1980)

    Mara Rúbia Sant’Anna Muller, Gabriel Cruz de Souza
    20
    DOI: https://doi.org/10.5216/vis.v17.53678

  • Rage, irony, joy modes of resistance in the 1970’s Brazilian art

    Artur Freitas
    22
    DOI: https://doi.org/10.5216/vis.v17.58183

  • On the other side of the mirror history and problems of Vídeo nas Aldeias (VNA)

    Marcos Aurélio Felipe
    34
    DOI: https://doi.org/10.5216/vis.v17.56629

  • The representation of silent in sound movies

    Yasmin Pires, André Villa
    25
    DOI: https://doi.org/10.5216/vis.v17.50269

Research Report

Visual essay