Vol. 8 No. 2 (2010)

					View Vol. 8 No. 2 (2010)

Editora-chefe: Rosana Horio Monteiro

Capa:
Autor: Waldomiro de Deus
Programação visual: Cátia Ana Baldoino da Silva

Direção de arte: Wagner Bandeira
Projeto gráfico: Márcio Rocha
Editoração: Cátia Ana Baldoino da Silva, Lenice Marques Teixeira
Revisão: Mariana Capeletti Calaça

Published: 2012-04-27

Articles

  • Intersections in Art: the artistic creation

    Paulo Bernardino
    DOI: https://doi.org/10.5216/vis.v8i2.18273
  • Expanded engraving: the Mostras da Gravura in the 1990’s

    Artur Freitas
    DOI: https://doi.org/10.5216/vis.v8i2.18274
  • Anthropophagy and Tropicalism: cultural identity?

    Jhanainna Silva Pereira Jezzini
    DOI: https://doi.org/10.5216/vis.v8i2.18275
  • Public art: education, quotidian, reinvention

    Tamiris Vaz, Viviane Diehl
    DOI: https://doi.org/10.5216/vis.v8i2.18276
  • The reception of the “Arte Incomum” exhibition and the problem of artistic judgments duration

    Arley Andriolo
    DOI: https://doi.org/10.5216/vis.v8i2.18277
  • Action painting, happening and performance art: from the action as significant factor to the action as work in the visual arts

    Fernando Cesar Ribeiro
    DOI: https://doi.org/10.5216/vis.v8i2.18278
  • The creation process of Leda Catunda`s work: reflections on an interview

    Joedy Luciana Barros Marins Bamonte
    DOI: https://doi.org/10.5216/vis.v8i2.18279
  • Cindy Sherman: a bodily cryptography

    Danusa Depes Portas
    DOI: https://doi.org/10.5216/vis.v8i2.18280
  • Relationship between element and associated milieu in digital art

    Andréia Machado Oliveira, Tania Mara Galli Fonseca
    DOI: https://doi.org/10.5216/vis.v8i2.18282
  • Jesús Soto and the scientific knowledge: a creative encounter between the rational, the empirical and the artistic

    Mariela Brazón Hernández
    DOI: https://doi.org/10.5216/vis.v8i2.18283
  • Comic strip as a reality transforming agent: an analysis of Henfil’s graphic humor in the book “Diretas já!”

    Marcio Acselrad, Ilo Aguiar Reginaldo Alexandre
    DOI: https://doi.org/10.5216/vis.v8i2.18284
  • The subject and visuality: parables of contemporary look

    Marcelo Silvio Lopes, Regina Krauss
    DOI: https://doi.org/10.5216/vis.v8i2.18285
  • Photography and digital exclusion: appropriations and uses of image capture equipment

    Daniel Meirinho
    DOI: https://doi.org/10.5216/vis.v8i2.18286
  • CEUZine: a comics workshop at UFSM

    Fábio Purper Machado, Ayrton Dutra Corrêa
    DOI: https://doi.org/10.5216/vis.v8i2.18288