Francisco Xavier Baptista’s keyboard works

Analysis and attribution of his last sonatas

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DOI:

https://doi.org/10.5216/mh.v23.75308

Palabras clave:

Analysis, Francisco Xavier Bachixa, Francisco Xavier Baptista, Keyboard sonata, Portuguese music, Sonata Theory

Resumen

The Portuguese composer Francisco Xavier Baptista (1741-1797) wrote sixteen keyboard sonatas, two of which are preserved under the name of Francisco Xavier Bachixa. From an analysis based on the Sonata Theory by Hepokoski and Darcy, this study identifies the characteristics of Baptista’s sonatas, as well as his sonata model: a cycle of two movements that ends with a minuet, this being representative of a clear formal transformation. Furthermore, the comparison of the single-movement sonatas indicated by the name Bachixa shows that these were the last works written by the composer and reveals a new formal and stylistic approach to the composition of the Portuguese keyboard sonata in the late 18th century.

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Biografía del autor/a

Mafalda S. Nejmeddine, Centro de Estudos de Sociologia e Estética Musical (CESEM/IN2PAST) - Universidade de Évora, Évora, Portugal

Mafalda S. Nejmeddine is a harpsichordist and musicologist, with a PhD from the University of Évora in Music and Musicology in the specialty of Performance, and an integrated researcher at the Centre for the Study of the Sociology and Aesthetics of Music (CESEM/IN2PAST) at the University of Évora. She specializes in Portuguese early music, namely the Portuguese keyboard sonata, and has developed a series of projects which involved the research, performance and dissemination of the Portuguese keyboard repertoire from the 18th century. Among them, the recording and the edition of the score of the collection "Sei sonate per cembalo" by Alberto José Gomes da Silva stands out.

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Publicado

2023-07-10

Cómo citar

NEJMEDDINE, M. S. Francisco Xavier Baptista’s keyboard works: Analysis and attribution of his last sonatas. Música Hodie, Goiânia, v. 23, 2023. DOI: 10.5216/mh.v23.75308. Disponível em: https://revistas.ufg.br/musica/article/view/75308. Acesso em: 19 dic. 2024.

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