Revealing Pedagogical Insights: National Elements in the Vocal Education of Contemporary Chinese Popular and Classical Music Performers

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DOI:

https://doi.org/10.5216/mh.v25.82986

Palabras clave:

national music, cultural influences, teaching methodologies, performance diversity, Chinese pop tunes, vocal training

Resumen

The study of vocal education in the context of contemporary Chinese popular and classical music provides a unique opportunity to explore the influence of national elements on music education and performance art. This research aims to identify the peculiarities of pedagogical methods used in Chinese vocal education with an emphasis on mastering national elements. The study was conducted through online surveys, questionnaires, data analysis, and organization. Statistical methods and comparative analysis of mean values and t-tests were employed for data processing and analysis. According to the experimental results, the average score in the experimental group, which supplemented standard education with the study of national vocal techniques and melodies, was higher (82.1) than in the control group, which received standard vocal education (75.4). The application of the t-test showed that the difference between the average scores in both groups is statistically significant. Thus, the research results confirm that using national elements in vocal education significantly improves vocal skills and adaptation to various music styles among students compared to traditional approaches. Such approaches will be able to improve the quality and effectiveness of vocal education, as well as increase students' interest in learning, helping them to become familiar with various musical traditions. Educators will have the opportunity to create educational programs that will contribute to the development of students' musical potential and mastery in various musical directions and styles.

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Biografía del autor/a

Yan Xia, Yangzhou University, Jiangsu, China, yanxia34@outlook.com

Xia Yan is a Postdoctoral Fellow in Chinese Language and Literature, DMA in Vocal Performance,Master’s Supervisor, and a member of the China Musicians Association, China Vocal Music Association, China Education Society, and the Executive Council of the Jiangsu Vocal Music Association. She received training from prominent artists including tenor Zhang Meilin, Italian baritone and conductor Lelio Capilupi, professor and artistic director Giuliana Panza, as well as world-renowned masters Mirella Freni, Leo Nucci, and Angelo Loforese. Her honors include the Gold Award at the 6th Opera and Art Song Singing Competition of Chinese Art Schools, the Gold Award in Bel Canto at the 7th “Sing of China” National College Vocal Competition, First Prize at the 1st “China–Russia Cup” International Vocal Competition, First Prize in the China tryout of the 20th Alcamo International Vocal Competition (Italy), Third Place at the 9th Brescia International Vocal Competition (Italy), and the Special Award of the BiBiena Opera House. Her scholarly work covers music education reform, the aesthetics of ancient Chinese music, and contemporary cultural values, with publications in Popular Literature and Art (2019), Journal of Higher Education (2015), and Voprosy Istorii (2023).

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Publicado

2025-11-18

Cómo citar

XIA, Yan. Revealing Pedagogical Insights: National Elements in the Vocal Education of Contemporary Chinese Popular and Classical Music Performers. Música Hodie, Goiânia, v. 25, 2025. DOI: 10.5216/mh.v25.82986. Disponível em: https://revistas.ufg.br/musica/article/view/82986. Acesso em: 5 dic. 2025.

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