Collective musical composition in the training of generalist teachers:

a qualitative and interpretative approach

Authors

DOI:

https://doi.org/10.5216/mh.v24.79588

Keywords:

collective musical composition, music education, teacher training

Abstract

This qualitative, interpretative study addresses the theme of musical creation/composition in the training of generalist teachers. It analyzes the processes of collective musical composition developed throughout a training program in light of the knowledge construction processes and professional learning of generalist teachers in the field of music. The formative model prioritized a pedagogical proposal based on cooperative learning processes centered around a compositional challenge conducted in small groups. The proposal aimed to create a safe learning environment potentially rich in meanings to allow future teachers to relate it with their previous structure of meanings, interests, aesthetics and, musical preferences. The realization of this planning allowed for the collection and analysis of data from 15 group portfolios and 58 individual reflections. Two main research focuses are integrated into the analytical process of this work: identifying and reflecting on the characteristics of the developed collective creation/composition processes and understanding the pedagogical implications of this approach for the pedagogical practice of future teachers. The implications of this study aim to contribute to the reflection and discussion of the processes of knowledge construction and professional learning of generalist teachers in the music field of creation/composition.

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Author Biography

Sandrina Milhano, Instituto Politécnico de Leiria, Ci&DEI Leiria, Portugal, sandrina.milhano@ipleiria.pt

Sandrina Milhano was awarded a PhD in Education from Roehampton University and a Master's in Arts of Music Education from Surrey/Roehampton University, UK. She has a degree and a postgraduate degree in Musical Sciences from Universidade Nova de Lisboa, Portugal. She undertook postgraduate studies in Spain at the University of Salamanca, where she obtained a Diploma of Advanced Studies in Music. She was awarded the title of specialist in the training of educators and teachers in the field of music. She is an integrated researcher at the Centre for Studies in Education and Innovation (Ci&DEI) and an Associate Professor at ESECS - Polytechnic of Leiria. She held the position of Dean of the School of Education and Social Sciences (2017-2021) and several coordinating roles at the Polytechnic of Leiria and other external entities, as coordinator of department, section and educational, cultural, social, artistic and research projects. She currently coordinates the Master in Artistic Intervention and Animation and member of the scientific and pedagogical commissions of the Master in Preschool Education and Teaching in the 1. st Cycle of Education, Master in Preschool Education and, Master in Education and Innovation. Currently, she is a Member of the Unesco Chair team at the Polytechnic Institute of Leiria - Arts and Culture Management, Cities and Creativity and President of Red Internacional de Derecho Educativo (RIIDE Portugal). She supervised 35 MSc dissertations and participated in research in regional and international projects. She has been involved in the Erasmus projects Orienta4YEL - Supporting educational and social inclusion of early youth leavers and youth at risk of early leaving through mechanisms of orientation and tutorial action (604501-EPP-1-2018-1-ES-EPPKA3-IPI-SOC-IN) and Regional University Network European University (RUN-EU), which focus on the future and advanced skills needs and the promotion of flexible transnational mobility of students, innovative pedagogies and blended learning activities. Currently, she is a member of Orienta4VET: an attractive and viable pathway. Innovating in VET through guidance processes and exploring flexible and diversified opportunities in VET and RUN-EU 2.0. In her curriculum Ciência Vitae, the most frequent terms are Education; Teacher Training; Music Education; Learning; Culture; Arts and Culture Participation; Innovation; and Yearly School leaving.

Published

2024-09-13 — Updated on 2024-09-18

Versions

How to Cite

MILHANO, S. Collective musical composition in the training of generalist teachers:: a qualitative and interpretative approach. MUSICA HODIE, Goiânia, v. 24, 2024. DOI: 10.5216/mh.v24.79588. Disponível em: https://revistas.ufg.br/musica/article/view/79588. Acesso em: 18 oct. 2024.

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Section

Artigos