Interatividade na música eletrovocal e voz mítica: a dinâmica de co-criação entre compositor e intérprete em ambiente digital
DOI:
https://doi.org/10.5216/mh.v24.78617Keywords:
música eletrovocal, voz mítica, co-criação compositor-intérprete, tecnologia, Maria MartinsAbstract
Abstract: In this article, we explore the collaborative process between performer and composer in the creation of the electrovocal work "Ariedara Amnenia", presented in the Perspectivas Sonoras 2022 concert cycle of the Centro Mexicano para la Música y las Artes Sonoras (CMMAS). The composition, an integral part of the "Evoé Maria!" project, was inspired by the Brazilian artist Maria Martins (1894-1973) and her sculptures that evoke myths, legends and wild nature, especially those related to the Amazon and the work "O Impossible". Co-creation, mediated by online processes due to the geographic distance between the creators, used specific tools from sound creation programs and explored concepts such as archeology and the mythical dimension of the voice, as discussed by Maletta (2014). The elaboration of "Ariedara Amnenia" was a process of interactive co-creation without hierarchy, where the dissemination and interaction of electronic material was carried out through fixed reproduction support. The work integrates sounds from the Amazon rainforest and various sounds processed in the SuperCollider environment, exploring techniques such as controlling reproduction speed, frequency transposition, spatialization, and echo effects, among others. This first result not only dialogues with the work of Maria Martins but also expands the expressive possibilities of the human voice and electroacoustic music, offering a perspective on the interaction between voice, electronics and mythical themes in contemporary musical creation.