Sustaining Folk Music in the 21st Century: A Thematic Review of Community, Education, Policy, and Technology (2020–2025)

Autores/as

DOI:

https://doi.org/10.5216/mh.v25.83108

Palabras clave:

Folk Music, Sustainability, Community Engagement, Digital Cultural Heritage, Educational Transmission

Resumen

Abstract:In recent years, the sustainable development of folk music has attracted increasing academic attention worldwide, evolving into a multidimensional discourse that intersects education, cultural policy, digital technology, and community engagement. This study adopts a thematic literature review approach to systematically analyze 40 peer-reviewed, high-quality academic articles published between 2020 and 2025, with the aim of identifying key trends and strategic approaches in the global transmission and safeguarding of folk music. Using ATLAS.ti 23 for thematic coding, the analysis identifies four central themes: (1) Community and Social Mechanisms; (2) Education and Knowledge Transfer; (3) Technology and Digital Innovation; and (4) Policy and External Environment. The findings indicate that grassroots participation and the integration of emerging digital tools significantly enhance the dissemination and cultural influence of folk music. Meanwhile, reforms in educational systems and policy-driven support provide structural foundations for its long-term vitality and intercultural coexistence. Nevertheless, challenges persist in achieving deep integration between technology and tradition, ensuring the cross-cultural adaptability of policy frameworks, and maintaining the long-term efficacy of sustainability policies. Future research should advance interdisciplinary approaches to develop theoretical frameworks for folk music sustainability that balance cultural sensitivity with innovative potential.

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Biografía del autor/a

Cao Xuyu , Taiyuan University of Technology, Taiyuan, Shanxi, China caoxuyu0719@gmail.com

Cao Xuyu is a lecturer in Erhu performance at the College of Architecture and Art, Taiyuan University of Technology, China, and holds a Doctor of Musical Arts degree from St. Paul University Manila. His research focuses on the development of ethnic and folk music, innovation in traditional instrumental performance, intangible cultural heritage (ICH) music education, and interdisciplinary approaches in music studies. This article forms part of his broader investigation into the evolution and sustainability of folk music practices.

Fan Tirui, Hubei University of Arts and Science, Xiangyang, Hubei,China. 17656234931@163.com

Fan Tirui is currently a lecturer in the Department of Musicology, School of Music and Dance, Hubei University of Arts and Science, China. His primary research interests are in music pedagogy, focusing on the development of music education, artificial intelligence, and higher music education. He has published six academic papers, led seven research projects, and received six teaching awards in recognition of his contributions to teaching and research.

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Publicado

2025-11-18

Cómo citar

XUYU , Cao; TIRUI, Fan. Sustaining Folk Music in the 21st Century: A Thematic Review of Community, Education, Policy, and Technology (2020–2025). Música Hodie, Goiânia, v. 25, 2025. DOI: 10.5216/mh.v25.83108. Disponível em: https://revistas.ufg.br/musica/article/view/83108. Acesso em: 5 dic. 2025.

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Artigos