Internacionalização e Pluralidade no Campo Musical Contemporâneo: Editorial da Música Hodie, v. 25 (2025)

Anselmo Guerra

doi:10.5216/mh.v25.85149

Authors

Anselmo Guerra Universidade Federal de Goi´ás (UFG), Goi´ânia, Goiás, Brasil anselmo@ufg.br https://orcid.org/0000-0001-9865-1386

DOI:

https://doi.org/10.5216/mh.v25.85149

Keywords:

Editorial, internationalization, epistemological plurality, interdisciplinarity

Abstract

Volume 25 of Música Hodie consolidates the journal’s international presence by bringing together contributions from multiple geographical and cultural contexts, reaffirming its commitment to epistemological plurality within the contemporary musical field. This issue highlights the invited article by Denise Hortencia Lopes Garcia, which presents a historical synthesis of the development of electroacoustic music in Brazil between the 1950s and 1990s, strengthening scholarly memory and critical reflection in the field. The volume also features the dossier “Music, Curriculum and Interdisciplinarity: Research Results in Brazil and Spain,” fostering a consistent academic dialogue between the two countries and emphasizing the central role of music in interdisciplinary educational processes. By articulating historiographical tradition, technological innovation, music education, and cultural diversity, this edition reaffirms Música Hodie as an international space for the production and circulation of musical knowledge.

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Author Biography

Anselmo Guerra, Universidade Federal de Goi´ás (UFG), Goi´ânia, Goiás, Brasil anselmo@ufg.br

Graduated in Composition and Conducting from Universidade Estadual Paulista Júlio de Mesquita Filho (1986), master's degree in Computer Science from Universidade de Brasília (1992) and doctorate in Communication and Semiotics from Pontifical Catholic University of São Paulo (1997). He was a visiting researcher at CRCA - Center for Research in computing and The Arts at the University of California San Diego (1995/6). He is currently Full Professor at the Federal University of Goiás. He has experience in the area of Arts, with an emphasis on Computer Music, acting mainly on the following themes: musical composition, computational music, electroacoustic music, contemporary music. He was coordinator of the Master of Music at UFG for three terms, and is currently editor of Revista Música Hodie of the graduate program in music at UFG.