Digital transformation of musical and choreographic art:

Preserving national archetypes

Authors

DOI:

https://doi.org/10.5216/mh.v25.83843

Keywords:

national archetypes, national mentality and identity, artistic tradition, digitalisation of art education and performance, interpretation of art, musical and choreographic performance.

Abstract

The rapid development of digital technologies created the need for the development of methodological approaches to the integration into the performing arts while preserving cultural authenticity. The aim of the study was the formation of a system of criteria for preserving national identity during the implementation of digital innovations in musical and choreographic art. The research was based on a systematic approach to the study of the transformation of cultural archetypes in the digital space. Specific manifestations of Ukrainian archetypes (Sophianity, the word, the land) and three levels of interaction with digital tools were identified: structural, regulative, and representative. An authenticity assessment table was created, which systematised musical elements, choreographic elements, permissible transformations, and technological solutions for three categories: basic elements of national tradition, elements of partial processing, and generative forms. Technological solutions for preserving authenticity were proposed: motion capture systems for recording national plasticity, spectral analysis algorithms for preserving the timbral characteristics of folk instruments, and neural networks for analysing and reproducing folkloric elements. Using the example of the musical and choreographic work The Passion for Taras by Yevhen Stankovych, the effectiveness of the developed approaches for preserving cultural codes during digital modernisation was demonstrated.

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Author Biographies

Viktoriia Kashaiuk, Department of Musical Art, Lesya Ukrainka Volyn National University, Lutsk, Ukraine sv.panasiuk@outlook.com

Viktoriia Kashaiuk is a researcher at the Department of Musical Art, Lesya Ukrainka Volyn National University in Lutsk, Ukraine. Her academic work focuses on vocal performance, chamber singing, and music pedagogy, exploring emotional expression and interpretive approaches in contemporary Ukrainian and international contexts.

Svitlana Panasiuk, Department of Musical Art, Lesya Ukrainka Volyn National University, Lutsk, Ukraine sv.panasiuk@outlook.com

Svitlana Panasiuk is a lecturer at the Department of Musical Art, Lesya Ukrainka Volyn National University in Lutsk, Ukraine. Her research and teaching focus on vocal interpretation, chamber performance, and contemporary approaches to music education, with a particular interest in the expressive and cultural dimensions of singing.

Ihor Stepaniuk, Department of Musical Art, Lutsk Pedagogical Institute, Lutsk, Ukraine i-stepaniuk@hotmail.com

Ihor Stepaniuk is a professor at the Department of Musical Art, Lutsk Pedagogical Institute in Lutsk, Ukraine. His academic and artistic work centers on music education, choral conducting, and performance practice, with research interests in the development of vocal technique and the interpretation of Eastern European musical traditions.

Hanna Kukharyk, Department of Musical Art, Lutsk Pedagogical Institute, Lutsk, Ukraine h_kukharyk@outlook.com

Hanna Kukharyk is a lecturer at the Department of Musical Art, Lutsk Pedagogical Institute in Lutsk, Ukraine. Her professional and research interests include vocal pedagogy, chamber ensemble performance, and the artistic interpretation of Ukrainian musical heritage, with an emphasis on expressive and stylistic aspects of singing.

Lesia Kosakovska, Department of Choreography, Lesya Ukrainka Volyn National University, Lutsk, Ukraine lkosakovska@hotmail.com

Lesia Kosakovska is a lecturer at the Department of Choreography, Lesya Ukrainka Volyn National University in Lutsk, Ukraine. Her academic and creative work focuses on dance performance, choreography, and interdisciplinary connections between movement and music, with research interests in Ukrainian folk traditions and contemporary stage interpretation.

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Published

2025-11-24

How to Cite

KASHAIUK, Viktoriia; PANASIUK, Svitlana; STEPANIUK, Ihor; KUKHARYK, Hanna; KOSAKOVSKA, Lesia. Digital transformation of musical and choreographic art:: Preserving national archetypes. MÚSICA HODIE, Goiânia, v. 25, 2025. DOI: 10.5216/mh.v25.83843. Disponível em: https://revistas.ufg.br/musica/article/view/83843. Acesso em: 5 dec. 2025.

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