The Development of Transversal Competences in Primary Education through Interdisciplinary Music Projects: The Generalist Teacher as a Key Element for Success

Authors

DOI:

https://doi.org/10.5216/mh.v25.82489

Keywords:

Transversal competencies, Music education, elementary or primary education;, interdisciplinarity; generalist teacher;

Abstract

Interdisciplinary musical projects could be very effective for the formation of transversal skills in Primary Education. Literature collects evidence of music's potential to educate more creative and entrepreneurial people and to promote inclusion, collaborative work and interdisciplinary learning. However, these ideas could have a greater presence in the curriculum and at school. In order to achieve this, it is important that the generalist teacher gets involved in these projects. This study examines school musical projects designed for the acquisition of transversal skills in Primary Education students in educational centers in the Spanish territory —located in the communities of Catalonia and Castilla y León—. The research has been designed in several phases including teacher training, design and implementation of interdisciplinary projects with students, and evaluation. A multiple case study methodology has been adopted. Qualitative research techniques were used for data collection: documentary analysis, observation, interviews with teachers and students and focus group discussion. The results and conclusions of the study provide three key aspects: the initial training of generalist teachers is not enough, so they need support to put these experiences into practice; the activities require a true interdisciplinary connection that guarantees their effective implementation in educational centers; and, finally, these experiences involve active, motivating and transversal learning for students.

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Author Biographies

Yurima Blanco García, Universidad de Valladolid, Palencia, Castilla y León, España, yurima.blanco@uva.es

PhD. in Musicology. Professor of Music at the Faculty of Education of Palencia, University of Valladolid. She has been part of R+D+i projects funded by the Ministry of Science and Innovation (Government of Spain): Transversality, creativity and inclusion in school music projects (PID2021128645OB-I00); Teacher Training and Music in society and the knowledge economy (EDU2017-84782-P). She has several scientific publications on musical teacher training and musical heritage of Cuba. She is co-editor of the book En busca de recursos desarrollo profesional docente del profesorado de música: acciones para el cambio (Octaedro, 2023). She collaborates as co-editor of the Revista Internacional de Educación Musical (RIEM) of the International Society for Music Education (ISME, SAGE).

 

Cristina Gonzáles-Martín, Universitat Autònoma de Barcelona, Cerdanyola del Vallès, Cataluña, España, Cristina.Gonzalez.Martin@uab.cat

Cristina González-Martín is Lecturer Lectora Serra Húnter in the Department of Didactics of Musical, Plastic and Corporal Expression at the Autonomous University of Barcelona. With a PhD in Didactics of Music (extraordinary prize), a Master's degree in Musicology and Music Education and a Diploma in Music Teaching (extraordinary prize), she has worked in music schools and conversation centres for 10 years. She currently combines the task of initial training for music teachers with the provision of in-service training courses for teachers. She has participated in several research projects (3 R+D+i and 2 ARMIF) and her research is always applied in the primary school music classroom, working together with active teachers and analysing different aspects of music teaching-learning (experts in the classroom, interdisciplinary practices, teacher training, etc.).

 

Miriam Albusac Jorge, Universidad de Granada, Granada, Andalucía, España, albusac@ugr.es

PhD in History (History and Sciences of Music). Lecturer in the Department of History and Music Sciences at the University of Granada. In terms of training, she has a degree in Psychology, in History and Music Sciences (national end-of-degree award) and in Documentation. This preparation is complemented by a Master's degree in Musical Heritage, as well as studies in musical performance (Professional Degree in Music, specialising in classical guitar). During the period 2013-2017, she obtained a grant for University Teacher Training (FPU), awarded by the Ministry of Education, Culture and Sport. She has carried out research stays in centres such as the ‘International Laboratory for Brain, Music and Sound Research’ (BRAMS) and the ‘Center for Research on Brain, Language and Music’ (CRBLM), both located in Montreal (Canada), or the ‘Laboratorio para el Estudio de la Experiencia Musical (LEEM)’ in La Plata (Argentina). He has also participated in R+D+i projects funded by the Spanish Ministry of Science and Innovation and the Department of University, Research and Innovation of the Andalusian Regional Government. Finally, his research work has been complemented by teaching: he has taught at the universities of Jaén and Granada, as well as at other educational levels such as the Conservatory and Compulsory Secondary Education.

 

Published

2025-08-07

How to Cite

BLANCO GARCÍA, Yurima; GONZÁLES-MARTÍN, Cristina; ALBUSAC JORGE, Miriam. The Development of Transversal Competences in Primary Education through Interdisciplinary Music Projects: The Generalist Teacher as a Key Element for Success. MÚSICA HODIE, Goiânia, v. 25, 2025. DOI: 10.5216/mh.v25.82489. Disponível em: https://revistas.ufg.br/musica/article/view/82489. Acesso em: 5 dec. 2025.

Issue

Section

Dossier: Music, Curriculum, and Interdisciplinarity: Research Results in Brazil and Spain