Musical Folklore of Rugova: Insights into Song, Dance, and Cultural Heritage in Kosovo’s Highlanders

Perspectivas sobre Canção, Dança e Patrimônio Cultural dos Habitantes das Montanhas de Kosovo

Authors

DOI:

https://doi.org/10.5216/mh.v24.77208

Keywords:

Kosovo Highlanders, folk art, ethnic traditions, monody, costume ornamentation

Abstract

In light of globalization’s impact on cultural homogenization, understanding the distinct musical heritage of ethnic groups like the Kosovo highlanders gains significance. This study aims to uncover the nuances of Kosovo highlanders’ national musical creativity, focusing on aspects such as vocal, dance, theatrical, and gaming traditions. Employing analysis, comparison, and synthesis methods, this research scrutinized original song texts and choreographic recordings, delving into the multifaceted aspects of Rugova’s oral traditional musical arts. The investigation unveiled the unique content and stylistic diversity across various folk art forms, including songwriting, choreography, theatrical performances, and traditional games. It identified key categories within each folklore branch, elucidating Rugova’s vocal music features, such as monodic texture, pentatonic scale, and distinctive instrumentation. Additionally, attention was drawn to the specificity and functionality of traditional costumes, which offer comfort and protection in Rugova’s challenging climate. The study presents Rugova’s oral traditional creativity as an integrated system comprising multiple components, thus offering novel insights into Kosovo highlanders’ cultural heritage. Its practical implications extend to fields like musicology, cultural studies, folk performance, and ethnography.

Keywords: cultural expressions. folkloric rituals. intergenerational transmission. ethnic traditions.

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Author Biographies

Arsim Kelmendi, Department of Music, Haxhi Zeka University, Peja, Kosovo, kelmendiarsim139@gmail.com

Arsim Kelmendi is a musicologist and professor with a master's degree in Musicological Sciences from the University of Pristina, Faculty of Arts, where he specialized in instrumental music, particularly in the oboe section. He has published numerous research papers in various international and national academic journals, focusing on the development of musical ensembles and wind instrument performance in Kosovo. He is also involved in teaching music theory and history at the University "Haxhi Zeka" in Pejë, Kosovo. Kelmendi has participated in various conferences and symposia across Europe, contributing to discussions on Eastern European music before and after the Cold War, and has been a member of several choirs and orchestras, performing as a principal oboist in numerous concerts across Kosovo, Germany, and other European countries.

Hysen Nimani, Department of Music, Haxhi Zeka University, Peja, Kosovo, hysennimani3@hotmail.com

 

Hysen Nimani is a professor at Universiteti Haxhi Zeka in Pejë, Kosovo, where he has been teaching since October 2011. With over 13 years of academic experience, he has contributed significantly to higher education in the region. In addition to his role at the university, Nimani has also been a professor at SH-M-M "Halit Kasapolli" since September 2009, amassing over 15 years of experience in education. Alongside his academic career, he serves as General Manager of Vranina, a position he has held since March 1996, bringing over 28 years of managerial expertise.

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Published

2024-10-07 — Updated on 2024-10-12

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How to Cite

KELMENDI, A.; NIMANI, H. Musical Folklore of Rugova: Insights into Song, Dance, and Cultural Heritage in Kosovo’s Highlanders: Perspectivas sobre Canção, Dança e Patrimônio Cultural dos Habitantes das Montanhas de Kosovo. MUSICA HODIE, Goiânia, v. 24, 2024. DOI: 10.5216/mh.v24.77208. Disponível em: https://revistas.ufg.br/musica/article/view/77208. Acesso em: 19 dec. 2024.

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