Respiração circular e sua aplicabilidade ao discurso musical do II movimento da Improvisation et Caprice pour saxophone solo, de Eugène Bozza (1944): proposta interpretativa e preparação à performance

Abstract

Abstract: Concerning the construction of performance and its implications with regard to fidelity to the musical text, this study aims to evaluate the applicability of circular breathing as an interpretive option compared to interpretation without the use of this technique. On the conceptual issues related to interpretation and performance, for this work, we will use the studies of Almeida (2011) as a reference;  relating to the harmonic, phraseological and cadential structure, the basis will be the work of Kostka (2015); with regard to the horizontal movement of the conductive voices, structure and prolongation, we will use the studies by Salzer (1982) and, with regard to circular breathing, the studies by Lopes (2018) and Barbosa (2016).