Marco Uccellini’s Sonata Ottava op. 4: Perspectives in Grouping, Meter and Metrical Dissonance

Autores

  • Eduardo Solá

DOI:

https://doi.org/10.5216/mh.v14i2.38367

Resumo

Rhythmic and metric perception has changed drastically over time, and it is at least dangerous to over- look its significance for performance. Current methods for analyzing grouping and displacement dissonances, here in combination with a unique approach to the elasticity of rhythmic cells, shed some light on the composi- tional complexity in this specimen from seventeenth-century violin repertoire. The main goal in this study is to promote an expansion in contemporary metric/rhythmic perception with special attention to historical context. It also deals with rhythmic notation, challenging the purpose of modern edition making in relation to the origi- nal musical text. Keywords: Violin; Marco Uccellini; Seventeenth (17th) century; Metrical dissonance; Rule of Down-Bow; Musical notation.

Downloads

Não há dados estatísticos.

Downloads

Publicado

2015-10-29

Como Citar

SOLÁ, E. Marco Uccellini’s Sonata Ottava op. 4: Perspectives in Grouping, Meter and Metrical Dissonance. Música Hodie, Goiânia, v. 14, n. 2, 2015. DOI: 10.5216/mh.v14i2.38367. Disponível em: https://revistas.ufg.br/musica/article/view/38367. Acesso em: 18 jul. 2024.

Edição

Seção

Artigos