About the Journal

Focus and Scope

The journal MÚSICA HODIE, affiliated with the Postgraduate Program in Music at the Federal University of Goiás, aims to disseminate and share original research freely within the academic community, focusing on themes related to the research lines of our PPG: Interpretative Practices and Composition; Epistemic, Discursive, and Formative Practices; and Neuroscience of Music.

The target audience for MÚSICA HODIE includes music researchers, encompassing their interdisciplinary areas, higher education professors, postgraduate students, and other professionals interested in the specified themes.

MÚSICA HODIE is currently edited in an online version and accepts submissions on a rolling basis in Portuguese, Spanish, and English. The journal requires a minimum doctoral degree for authors interested in submitting articles. In the case of collective authorship, at least one of the authors must possess this qualification. The editorial team analyzes cases involving senior researchers with recognized expertise. In any case, submissions undergo the peer review process, by double blind-review.

Note: MÚSICA HODIE does not publish articles by the same author within less than one year; in other words, authors can only submit articles one year after their last publication.

 

Frequency

Until 2018, the MÚSICA HODIE journal had a biannual publication frequency. However, starting in 2019, it adopted an annual publication in a continuous flow system. With this change, the MÚSICA HODIE journal has been published uninterruptedly since the year 2001.

 

Open Access Policy

Musica Hodie journal is committed to the principle of Open Access, a form of publishing that aims to make scientific research widely accessible to the general public without financial barriers or access restrictions.

According to the Directory of Open Access Journals (DOAJ) definition, an Open Access journal is one in which the copyright holder of a scholarly work grants usage rights to others through an open license (Creative Commons or equivalent). This allows for immediate and free access to the work, enabling any user to read, download, copy, distribute, print, search, or link to the full texts of articles, index them, pass them as data to software, or use them for any other lawful purpose.

The full text of all content is available for free and open access without delay or restrictions. There is no embargo period, and users are not required to register to access the content.

 

Copyright and Privacy Policy

Authors retain unrestricted copyright to their texts. The names and addresses provided in this journal will be used exclusively for the services provided by this publication, and will not be made available for other purposes or to third parties. The MÚSICA HODIE journal operates under the Creative Commons Attribution 4.0 International License (CC BY 4.0).

 

Digital Preservation and Promotion Policy

 The MÚSICA HODIE journal is part of the UFG Periodicals Portal; therefore, it is preserved through storage on the server of the Federal University of Goiás. In turn, the portal is affiliated with the Cariniana Network - Brazilian Digital Preservation Services Network (IBICT) - and funded by FAPEG (Goiás State Research Support Foundation).

 

Ethics Policy against Plagiarism and Misconduct

The MÚSICA HODIE journal follows the guidelines of COPE (Committee on Publication Ethics) to promote the identification of plagiarism, misconduct, fraud, possible ethical violations, and the subsequent initiation of procedures. Consequently, all texts submitted to the journal undergo rigorous inspection through plagiarism detection programs.

Based on research ethics criteria, all articles will be subjected to the Similarity Check plagiarism detection program: https://www.crossref.org/services/similarity-check/

The MÚSICA HODIE Journal encourages the ethical and responsible use of Artificial Intelligence (AI) in academic research. Authors are guided to be transparent by documenting methods and data, adhering to ethical standards, and promoting reproducibility by providing codes and data. Article disclosures should be detailed, emphasizing the role of AI in the research. The journal reserves the possibility of including AI-specialized reviewers. Authors should refer to the specific policies of the journal regarding AI use, addressing issues of bias and equity. These guidelines aim to promote high-quality research and contribute to ethical and responsible advancements in the application of AI in the academic community.

 

Retraction Policy

The MÚSICA HODIE Journal adheres to the ethical principles outlined by COPE (Committee on Publication Ethics), following the guidelines specified at https://publicationethics.org/files/Code_of_conduct_for_journal_editors_Mar11.pdf

Committed to integrity, the journal conducts the entire editorial process in accordance with ethical standards, investigating suspicions of misconduct to uphold scientific rigor. In cases of reported misconduct during the process, the evaluation is paused for investigation, only to be resumed if no misconduct is substantiated.

In instances of misconduct by authors, the article is removed from evaluation, and the journal may refuse future submissions from those involved. If misconduct involves editors, they are suspended, and if committed by an ad hoc reviewer, their role as an evaluator for the journal is deactivated.

 

Alignment with the Open Science Principle

The MÚSICA HODIE journal is a scientific open-access periodical, ensuring that all content is freely available, with no costs to the user or their institution. Readers are granted permission to read, download, copy, distribute, print, search, or link to the full texts of articles, using them for any legal purpose without prior permission from the editor or author. In line with Open Science principles, the journal seeks continuous updates to ensure openness and transparency in all knowledge management processes.

To facilitate data location, we have adopted the use of Digital Object Identifiers (DOIs) and provide detailed data descriptions with appropriate metadata. The MÚSICA HODIE Journal actively encourages the academic community to embrace and adopt Open Science principles. In this regard, we aim to implement open peer review. Initially, we disclose the names of reviewers and editors responsible for approved articles, and we annually publish the list of reviewers. Starting in 2024, reviewers agreeing to be identified will have the opportunity to publish their reviews. This practice reinforces our commitment to transparency and openness in the review process, enhancing the participation of the academic community in this dynamic Open Science context.

The Journal Música Hodie endorses the San Francisco Declaration (DORA) - Research Assessment

With the aim of aligning itself with Brazilian scientific journals registered in Miguilim to the Open Access and Science Movements, the Journal Música Hodie has adopted the Declaration on Research Assessment (DORA[1]) as a code of ethics and international recommendations, "recognizing the need to improve how the results of academic research are evaluated" (DORA, 2021). Read the Declaration in full at https://sfdora.org/read/

In this sense, the signing of the Dora Code of Ethics seeks to establish the foundations to promote practical and robust approaches to research assessment globally and across all academic disciplines, as described in the terms.

Thus, scientific articles must describe:

Originality - The results of original research, following the editorial line of the journal. Manuscripts that have been published in symposium proceedings, conferences, etc., or translated articles from foreign scientific journals will not be accepted.

Responsible authorship - To streamline the editorial process, we inform that submissions of works in areas of knowledge where the journal does not have qualified members in the body of evaluators, the editor will request authors to submit "a letter to the editor, containing five suggestions for evaluators and the effective contributions of each author," a procedure already adopted by international journals.

Flexibility - Opportunities for best practices are offered, making the number of words, figures, and references in articles more flexible. Special calls or thematic dossiers may receive special recommendations.

Música Hodie in the Directory of Editorial Policies of Brazilian Scientific Journals - DIADORIM

Diadorim is an information service regarding the permissions granted for storing and accessing articles from Brazilian journals in open-access digital repositories. It is part of the open-access services provided by the Brazilian Institute of Information in Science and Technology. The information disclosed here is collected directly from the editors of Brazilian scientific journals, to whom we express our gratitude for providing and updating the information.

 

The purpose of this service is to identify, systematize, and make available information on the policies established by the publishers of Brazilian journals regarding the storage of articles in institutional repositories. It constitutes an important reference source so that authors and repository managers do not violate the publication agreement between the author and the journal when archiving articles in the institution's repository.

Gender Issues

Aware of the historical challenges related to gender issues both within academia and in society at large, the Música Hodie journal reaffirms its commitment as a supporter of initiatives aimed at promoting gender equality. Additionally, it endorses strategies for the formation of a more inclusive academic and scientific community, adequately representing women, members of the LGBTI+ community, as well as indigenous peoples and ethnicities in situations of vulnerability and marginalization.

The journal aligns itself with Sustainable Development Goal No. 5 - Gender Equality, as established by SDG 5. Further information about this goal can be found at https://brasil.un.org/pt-br/sdgs/5. This stance reinforces our dedication to promoting a diverse and inclusive academic community, contributing to a more equitable and sustainable environment.

We recommend that authors aligned with these issues, when submitting their work to the Música Hodie Journal, consider including clear and specific indications related to gender, diversity, and inclusion in titles and keywords. Using terms such as "gender equality," "diversity," "inclusion," "inclusive academic community," "representation," "women in music," "LGBTI+," "indigenous peoples," and "ethnicities in situations of vulnerability" can enhance the identification of these aspects by indexing mechanisms. This practice not only contributes to greater visibility of the content but also reinforces the journal's commitment to promoting an inclusive and diversified approach to scientific production related to music.

 

Journal History

The Música Hodie Journal was established under the auspices of the Postgraduate Program in Music at the School of Music and Performing Arts of the Federal University of Goiás. Since December 2001, it has been published continuously, initially in two issues per year and, starting in 2019, in an annual edition with a continuous flow. Its Editorial Board and Advisory Board have local, national, and international representation. The journal is indexed in prestigious catalogs such as SCOPUS, RILM – International Repertory of Music Literature, Arts & Humanities Index, EBSCO, and GOOGLE SCHOLAR, and is classified as Qualis (A4) by CAPES.

The Música Hodie Journal aims to encourage scientific and artistic production in the field of music, with an emphasis on topics related to the Postgraduate Program in Music at UFG, currently including Interpretative Practices and Composition, Epistemic Discursive and Formative Practices, and Neuroscience of Music. The publication focuses especially on the most recent musical production. The evaluation and selection of material for publication follow criteria established by the Editorial Board, available on the journal's website. The ARTICLE (scientific articles) and OTHER WORDS (dedicated to the publication of academic texts of interest in the field of music, not necessarily resulting from scientific research) sections undergo evaluation in the blind review system, conducted by external reviewers. Each issue of Hodie may include thematic dossiers regularly announced in the journal's calls. The submission process is continuous, and approved works after the closure of one issue are automatically forwarded to the subsequent issue.

 

Bibliometric Indicators

Google Scholar:

https://scholar.google.com/citations?user=9ROQ9CEAAAAJ&hl=en&citsig=AMD79oqxbu9iIuUk-GEb_pKdHJopHgMfEQ

 

SCOPUS CiteScore:

https://www.scopus.com/sourceid/19900191874

 

RESURCHFY:

https://www.resurchify.com/impact/details/19900191874

 

Google Scholar: Link to Google Scholar Profile

SCOPUS CiteScore: Link to SCOPUS CiteScore

RESURCHFY: Link to RESURCHFY Impact Details