Lúcio Flávio, o passageiro da agonia, from Hector Babenco

Authors

  • Lisandro Nogueira Universidade Federal de Goiás (UFG)

DOI:

https://doi.org/10.5216/c&i.v7i2.24401

Keywords:

Cinema and journalism. newspaper movies. journalist. brazilian movie.

Abstract

The portraiture of the journalist in brazilian movies of the' 1960s is different from that of newspaper movies of the same period. In the films Boca de Ouro(1962), O Desafio(1965) eTerra em transe(1967) which discard melodrama as a narrative technique, the journalist is neither a hero or a vilain. From the 1970s on, this approach extinguishes and brazilian newspaper movies became more similar to the american model. Lúcio Flávio, o passageiro da agonia is an exemple of a new way of portraying the journalist in the brazilian cinema.

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Author Biography

Lisandro Nogueira, Universidade Federal de Goiás (UFG)

Prof. Dr. do Curso de Comunicação da UFG.

Published

2013-05-29

How to Cite

NOGUEIRA, L. Lúcio Flávio, o passageiro da agonia, from Hector Babenco. Comunicação & Informação, Goiânia, Goiás, v. 7, n. 2, p. 212–217, 2013. DOI: 10.5216/c&i.v7i2.24401. Disponível em: https://revistas.ufg.br/ci/article/view/24401. Acesso em: 19 dec. 2024.

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Section

Artigos