O pós-moderno e o caráter estético das performances nos “tribalismos” cotidianos

Abstract

This article seeks, from an essayistic rather than a rigid view, to investigate the term “performance” as analogous to post-modern “tribalism” of an aesthetic character. A post-modern that transforms (the beyond form) of the ancient positivism based, in the last three centuries, on a Project of Modernity. Today, on the contrary, we already comfortably assimilate theories originating from investigations of our unconscious, back in the day, and of the imaginary in the 1960s. Another theme with a postmodern bias is the formative aspects of a will, especially with Foucault. Or, to corroborate our thesis, we also look into cultural hybridisms, in Canclini, among other authors mentioned in this work. As a conclusion, we consider that the performative takes place – in a discontinuous world – in the paradoxical agglutination of individuals around post-modern “tribalisms” with an aesthetic rather than an ideological character.