Myth, performance and poetics in O Paraíso Perdido, by Teatro da Vertigo

Authors

DOI:

https://doi.org/10.5216/sig.v30i3.48071

Keywords:

Teatro da Vertigem. Mito. Performance. Teatro. Poesía oral.

Abstract

Based on the idea that the dramatic text can be a vehicle for symbolism, the present study verifies how the play O Paradise Perdido, by Teatro da Vertigem, evokes poetic meanings in the indications it suggests for the performance. To this end, this study is based on Paul Zumthor's ideas about performance and the works of Bachelard, Durand and other imaginary researchers, investigating what symbols are conveyed by the play and how performance constructs and communicates symbols specific to poetic language.

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Author Biography

Douglas Ceccagno, Universidade de Caxias do Sul (PUC-RS), Porto Alegre, Rio Grande do Sul.

Doutor em Letras pela Pontifícia Universidade Católica do Rio Grande do Sul (PUC-RS). Professor da Universidade de Caxias do Sul (UCS).

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Published

2018-08-31

How to Cite

CECCAGNO, D. Myth, performance and poetics in O Paraíso Perdido, by Teatro da Vertigo. Signótica, Goiânia, v. 30, n. 3, p. 417–433, 2018. DOI: 10.5216/sig.v30i3.48071. Disponível em: https://revistas.ufg.br/sig/article/view/48071. Acesso em: 17 jul. 2024.

Issue

Vol. 30 No. 3 (2018)

Section

Article

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Copyright (c) 2018 Signótica

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