Challenges for a second decade of ubimus research: knowledge transfer in ubimus activities

Autores

DOI:

https://doi.org/10.5216/mh.v18i1.53578

Palavras-chave:

Ubiquitous music, Everyday creativity, Metaphors for creative action, Lay-musician interaction

Resumo

This is the second part of a discussion on the challenges of a second decade of ubimus research. I discuss the issues involved in supporting knowledge transfer in musical activities. I lay out and exemplify the concept of metaphor for creative action. I summarize the results of three studies employing the time tagging metaphor, configuring an effective strategy for supporting everyday musical creativity. Then I report results of a study employing the stripe meta- phor – an extension of time tagging devised for usage of a large number of resources. Twelve subjects, encompassing musicians and casual participants, realized improvisatory sessions in a non-standard setting – an audio and musical equipment store. The results indicated a promising new avenue of research targeting lay-musician interaction. The results also raised new questions regarding the strategies adopted for knowledge transfer support. The last section of the paper places these results within the context of the ongoing ubimus efforts, highlighting four issues that have emerged as viable research avenues: everyday musical creativity, lay-musician interaction, design for sustainability and design for distributed creativity. 

Downloads

Não há dados estatísticos.

Biografia do Autor

Damián Keller, Universidade Federal do Acre, Rio Branco, Acre, Brasil, dkeller@ccrma.stanford.edu

Referências

Aliel, l.; FornAri, J. Creating an ecologically modeled performance through the remote manipu- lation of multiple soundscapes. In: FernedA, e.; CAbrAl, G.; Keller, d. (eds.): Proceedings of the Brazilian Symposium on Computer Music (SBCM 2013). Brasília, DF: SBC, 2013.

Aliel, l.; Keller, d.; CostA, r. Comprovisação: Abordagens Desde a Heurística Estética em Eco- composição. In: Proceedings of the Brazilian Symposium on Computer Music (SBCM 2015). Cam- pinas, SP: SBC, 2015.

bArreiro, d. l.; Keller, d. Composing with sonic models: fundamentals and electroacoustic ap- plications (Composição com modelos sonoros: fundamentos e aplicações eletroacústicas). In: Keller, d.; budAsz, r. (eds.), Criação musical e tecnologias: Teoria e prática interdisciplinar. Goi- ânia, GO: Editora ANPPOM, 2010, 97-126.

beGhetto, r. A.; KAuFmAn, J. C. Toward a broader conception of creativity: A case for “mini-c” creativity. In: Psychology of Aesthetics Creativity and the Arts 1 (2), 2007, 73-79.

bessA, W. r. b.; Keller, d.; FAriAs, F. m.; edemilson FerreirA, Pinheiro dA silvA, F.; PereirA dA sil- vA, v. SoundSphere v.1.0: Documentação e análise dos primeiros testes. In: Anais do Simpósio Internacional de Música na Amazônia (IV SIMA). Porto Velho, RO: UNIR, 2015.

bittenCourt, m. A. Damián Keller and Rogério Budasz (eds.), Music Creation and Technologies: Interdisciplinary Theory and Practice. Série Pesquisa em Música no Brasil, vol. 2. Goiânia: Anp- pom, 2010. (ISBN: 978-85-63046-01-7).

blevis, e. Sustainable interaction design: invention & disposal, renewal & reuse. In: Proceedin- gs of the SIGCHI Conference on Human Factors in Computing Systems. New York: ACM, 2007, 503-512.

brinKmAnn, P. Making Musical Apps: Using the Libpd Sound Engine. New York: O’Reilly & Asso- ciates Incorporated, 2012.

broWn, A. r.; steWArt, d.; hAnsen, A.; steWArt, A. Making meaningful musical experiences ac- cessible using the iPad. In: Keller, d.; lAzzArini, v.; PimentA, m. s. (eds.), Ubiquitous Music. Hei- delberg Berlin: Springer International Publishing, 2014, 65-81.

burtner, m. Ecoacoustic and shamanic technologies for multimedia composition and perfor- mance. Organised Sound 10 (1), 2005, 3-19.

burtner, m. EcoSono: Adventures in interactive ecoacoustics in the world. Organised Sound 16 (3), 2011, 234-244.

CAPAsso, A.; Keller, d.; tinAJero, P. Palafito / Palafita / Home-on-stilts 2.0 [Ubiquitous Music Work]. Denver, CO: Museum of the Americas, 2013.

Connors, t. m. Audiovisual installation as ecological performativity. In: Proceedings of the 21st International Symposium on Electronic Art (ISEA2015). Vancouver, Canada: ISEA, 2015.

deWey, J. Art As Experience. New York, NY: Perigee Books, 1934.

di sCiPio, A. Émergence du son, son d’emergence: Essai d’épistémologie expérimentale par un

compositeur. Intellectica 48-49, 2008, 221-249.

eAGlestone, b.; Ford, n.; broWn, G. J.; moore, A. Information systems and creativity: An empiri-

cal study. Journal of Documentation 63 (4), 2007, 443-464.

essl, G.; rohs, m. Interactivity for mobile music-making. Organised Sound 14, 2009, 197-207.

FAriAs, F. m.; Keller, d.; Pinheiro dA silvA, F.; PimentA, m. s.; lAzzArini, v.; limA, m. h.; CostA- lonGA, l.; JohAnn, m. Everyday musical creativity support: mixDroid second generation (Supor- te para a criatividade musical cotidiana: mixDroid segunda geração). In: Keller, d.; limA, m. h.; sChiAvoni, F. (eds.), Proceedings of the V Workshop on Ubiquitous Music (V UbiMus). Vitória, ES: Ubiquitous Music Group, 2014.

??161

??

KELLER, D. Challenges for a second decade of ubimus research: Knowledge transfer in ubimus activities Revista Música Hodie, Goiânia, V.18 - n.1, 2018, p. 147-165

FerrAz, s.; Keller, d. Preliminary proposal of the In-group, Out-group model of collective cre- ation (MDF: Proposta preliminar do modelo dentro-fora de criação coletiva). Cadernos de Infor- mática 8 (2), 2014, 57-67.

FitzmAuriCe, G. W.; ishii, h.; buxton, W. Bricks: Laying the foundations for graspable user inter- faces. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems (CHI’95), 1995, 442–449.

Flores, l.; miletto, e.; PimentA, m.; mirAndA, e.; Keller, d. Musical interaction patterns: Com- municating computer music knowledge in a multidisciplinary project. In: Proceedings of the 28th ACM International Conference on Design of Communication. New York, NY: ACM, 2010, 199-206.

Gibson, J. J. The theory of affordances. In: shAW, r.; brAnsFord, J. (eds.), Perceiving, Acting, and Knowing: Toward an Ecological Psychology. Mahwah, NJ: Lawrence Erlbaum Associates, 1977, 67-82.

GrAnt, K. A. Tacit knowledge revisited: We can still learn from Polanyi. The Electronic Journal of Knowledge Management 5 (2), 2007.

huAnG, e. m.; truonG, K. n. Breaking the disposable technology paradigm: opportunities for sustainable interaction design for mobile phones. In: Proceedings of the Twenty-Sixth Annu- al SIGCHI Conference on Human Factors in Computing Systems (CHI ‘08), 2008, 323-332. New York, NY: ACM.

KAhnemAn, d. Attention and Effort. Englewood Cliffs, New Jersey: Prentice-Hall, 1973. KAuFmAn, J. C.; beGhetto, r. A. Beyond big and little: The four c model of creativity. Review of

General Psychology 13 (1), 2009, 1-12.

Keller, d. Compositional processes from an ecological perspective. Leonardo Music Journal 10,

, 55-60.

Keller, d. Challenges for a second decade of ubimus research (part 1) (Keynote). In: Proceedings

of the Brazilian Symposium on Computer Music (SBCM 2017). São Paulo, SP: SBC, 2017.

Keller, d.; bArreiro, d. l.; Queiroz, m.; PimentA, m. s. Anchoring in ubiquitous musical acti- vities. In: Proceedings of the International Computer Music Conference. Ann Arbor, MI: MPu- blishing, University of Michigan Library, 2010, 319-326.

Keller, d.; bArros, A. e. b.; FAriAs, F. m.; nAsCimento, r. v.; PimentA, m. s.; Flores, l. v.; milet- to, e. m.; rAdAnovitsCK, e. A. A.; serAFini, r. o.; bArrAzA, J. F. Ubiquitous music: Concept and background (Música ubíqua: Conceito e motivação). In: Proceedings of the National Association of Music Research and Post-Graduation Congress – ANPPOM. Goiânia, GO: ANPPOM, 2009a, 539-542.

Keller, d.; budAsz, r. (eds.) Music Creation and Technologies: Interdisciplinary Theory and Prac- tice (Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar). Goiânia, GO: Editora ANP- POM, vol. 2, 2010. (ISBN 978-85-63046-01-7)

Keller, d.; CAPAsso, A. New concepts and techniques in eco-composition. Organised Sound 11 (1), 2006, 55-62.

Keller, d.; CAPAsso, A.; tinAJero, P.; Flores, l. v.; PimentA, m. s. Green Canopy: On The Road [Ubiquitous Music Work]. In: Proceedings of XII Brazilian Symposium on Computer Music (SB- CM 2009). Porto Alegre, RS: SBC, 2009b.

Keller, d.; FerreirA dA silvA, e.; Pinheiro dA silvA, F.; limA, m. h.; PimentA, m. s.; lAzzArini, v.:

Everyday musical creativity: An exploratory study with vocal percussion sounds (Criatividade musical cotidiana: Um estudo exploratório com sons vocais percussivos). In: Proceedings of the National Association of Music Research and Post-Graduation Congress – ANPPOM. Natal, RN: ANPPOM, 2013a.

Keller, d.; Flores, l. v.; PimentA, m. s.; CAPAsso, A.; tinAJero, P. Convergent trends toward ubi- quitous music. Journal of New Music Research 40 (3), 2011a, 265-276.

Keller, d.; lAzzArini, v. Ecologically grounded creative practices in ubiquitous music. Organi- sed Sound 22, 2017, 61-72.

Keller, d.; lAzzArini, v.; PimentA, m. s. (eds.). Ubiquitous Music. Berlin and Heidelberg: Springer International Publishing, vol. XXVIII, 2014a.

Keller, d.; lAzzArini, v.; PimentA, m. s.: Ubimus through the lens of creativity theories. In: Kel- ler, d.; lAzzArini, v.; PimentA, m. s. (eds.), Ubiquitous Music. Berlin and Heidelberg: Springer In- ternational Publishing, 2014b, 3-23.

Keller, d.; limA, m. h. Supporting everyday creativity in ubiquitous music making. In: KostA- GiolAs, P.; mArtzouKou, K.; lAvrAnos, C. (eds.): Trends in Music Information Seeking, Behavior, and Retrieval for Creativity. Vancouver, BC: IGI Global Press, 2016.

Keller, d.; miletto, e. m.; otero, n. Creative surrogates: Supporting decision-making in ubi- quitous musical activities. In: Proceedings of the 3rd International Conference on Computation, Communication, Aesthetics and X (xCoAx 2015). Glasgow, Scotland: xCoAx, 2015a.

Keller, d.; otero, n.; lAzzArini, v.; PimentA, m. s.; limA, m. h.; JohAnn, m.; CostAlonGA, l. l. In- teraction aesthetics and ubiquitous music. In: zAGAlo, n.; blAnCo, P. (eds.), Creativity in the Di- gital Age. Berlin and Heidelberg: Springer, 2015b, 91-105.

Keller, d.; Pinheiro dA silvA, F.; FerreirA dA silvA, e.; lAzzArini, v.; PimentA, m. s. Opportunistic design of ubiquitous music systems: The impact of anchoring on creativity (Design oportunista de sistemas musicais ubíquos: O impacto do fator de ancoragem no suporte à criatividade). In: FernedA, e.; CAbrAl, G.; Keller, d. (eds.), Proceedings of the XIV Brazilian Symposium on Com- puter Music (SBCM 2013). Brasília, DF: SBC, 2013b.

Keller, d.; Pinheiro dA silvA, F.; Giorni, b.; PimentA, m. s.; Queiroz, m. Spatial tagging: an ex- ploratory study (Marcação espacial: estudo exploratório). In: Proceedings of the 13th Brazilian Symposium on Computer Music (SBCM 2011). Vitória, ES: SBC, 2011b.

Keller, d.; QuArAntA, d.; siGAl, r. Special Volume Sonic Ideas: Musical Creativity (Volume Espe- cial Sonic Ideas: Criatividade Musical), Vol. 10. Morelia, Michoacán: Centro Mexicano para la Música y las Artes Sonoras, 2013c.

Keller, d.; timoney, J.; CostAlonGA, l.; CAPAsso, A.; tinAJero, P.; lAzzArini, v.; PimentA, m. s.; li- mA, m. h.; JohAnn, m. Ecologically grounded multimodal design: The Palafito 1.0 study. In: Pro- ceedings of the International Computer Music Conference (ICMC 2014). Ann Arbor, MI: MPu- blishing, University of Michigan Library, 2014c, 1677-1684.

Keller, d.; truAx, b. Ecologically based granular synthesis. In: Proceedings of the Internatio- nal Computer Music Conference. Ann Arbor, MI: MPublishing, University of Michigan Library, 1998, 117-120.

Kozbelt, A.; beGhetto, r. A.; runCo, m. A. Theories of creativity. In: KAuFmAn, J. C.; sternberG, r. J. (eds.), The Cambridge Handbook of Creativity. Cambridge, UK: Cambridge University Press, 2010, 20-47.

lAzzArini, v.; Keller, d.; Kuhn, C.; PimentA, m.; timoney, J. Prototyping of ubiquitous music ecosystems. Journal of Cases on Information Technology 17 (4), 2015.

lAzzArini, v.; Keller, d.; PimentA, m.; timoney, J. Ubiquitous music ecosystems: Faust programs in Csound. In: Keller, d.; lAzzArini, v.; PimentA, m. s. (eds.), Ubiquitous Music. Berlin and Heidelberg: Springer International Publishing, 2014, 129-150.

lAzzArini, v.; yi, s.; timoney, J.; Keller, d.; PimentA, m. s. The Mobile Csound Platform. In: Pro- ceedings of the International Computer Music Conference (ICMC 2012). Ann Arbor, MI: MPu- blishing, University of Michigan Library, 2012, 163-167.

leWis, G. e. Too many notes: computers, complexity and culture in Voyager. Leonardo Music Journal 10, 2000, 33-39.

limA, m. h.; Keller, d.; PimentA, m. s.; lAzzArini, v.; miletto, e. m. Creativity-centred design for ubiquitous musical activities: Two case studies. Journal of Music, Technology and Education 5 (2), 2012, 195-222.

mArsden, A. “What was the question?”: Music analysis and the computer. In: Gibson, l.; CrA- WFord, t. (eds.), Modern Methods for Musicology: Prospects, Proposals, and Realities. London: Ashgate Publishing, 2012, 137-153.

miletto, e. m.; PimentA, m. s.; bouChet, F.; sAnsonnet, J.-P.; Keller, d. Principles for music crea- tion by novices in networked music environments. Journal of New Music Research 40 (3), 2011, 205-216.

PAlAiGeorGiou, G.; Pouloulis, C. Orchestrating tangible music interfaces for in-classroom music learning through a fairy tale: The case of ImproviSchool. Education and Information Technolo- gies, 2017. (DOI: 10.1007/s10639-017-9608-z)

PimentA, m. s.; Flores, l. v.; CAPAsso, A.; tinAJero, P.; Keller, d. Ubiquitous music: concept and metaphors. In: Proceedings of the Brazilian Symposium on Computer Music (XII SBCM). Recife, PE: SBC, 2009, 139-150.

PimentA, m. s.; Keller, d.; Flores, l. v.; limA, m. h.; lAzzArini, v. Methods in Creativity-Centred Design for Ubiquitous Musical Activities. In: Keller, d.; lAzzArini, v.; PimentA, m. s. (eds.), Ubi- quitous Music. Berlin and Heidelberg: Springer International Publishing, 2014, 25-48.

PimentA, m. s.; miletto, e. m.; Keller, d.; Flores, l. v. Technological support for online commu- nities focusing on music creation: Adopting collaboration, flexibility and multiculturality from Brazilian creativity styles. In: AzAb, n. A. (ed.), Cases on Web 2.0 in Developing Countries: Stu- dies on Implementation, Application and Use. Vancouver, BC: IGI Global Press, 2012.

Pinheiro dA silvA, F.; Keller, d.; FerreirA dA silvA, e.; PimentA, m. s.; lAzzArini, v. Everyday musi- cal creativity: Exploratory study of ubiquitous musical activities (Criatividade musical cotidia- na: Estudo exploratório de atividades musicais ubíquas). Música Hodie 13, 2013, 64-79.

Pinheiro dA silvA, F.; PimentA, m. s.; lAzzArini, v.; Keller, d. Time tagging in its niche: Engage- ment, explorability and creative attention (A marcação temporal no seu nicho: Engajamento, ex- plorabilidade e atenção criativa). Cadernos de Informática 8 (2), 2014.

PolAnyi, m. Personal Knowledge: Towards a Post-critical Philosophy. London: Routledge, 1958.

rAdAnovitsCK, e. A. A.; Keller, d.; Flores, l. v.; PimentA, m. s.; Queiroz, m. mixDroid: Time ta- gging for creative activities (mixDroid: Marcação temporal para atividades criativas). In: Cos- tAlonGA, l.; PimentA, m. s.; Queiroz, m.; mAnzolli, J.; Gimenes, m.; Keller, d.; FAriA, r. r. (eds.), Proceedings of the XIII Brazilian Symposium on Computer Music (SBCM 2011). Vitória, ES: SBC, 2011.

ribeiro netto, A.; CAstheloGe, l.; oliosi, A.; mAteus, A.; CostAlonGA, l.; CourA, d. Memory Tree: Multimedia Interactive Installation (Árvore das Memórias: Instalação Multimídia Interativa). In: Proceedings of the XV Brazilian Symposium on Computer Music (SBCM 2015). Campinas, SP: SBC, 2015, 76-82.

riChArds, r.; Kinney, d.; benet, m.; merzel, A. Assessing everyday creativity: Characteristics of

the lifetime creativity scales and validation with three large samples. Journal of Personality and Social Psychology 54, 1988, 476-485.

shneidermAn, b.: Creativity support tools: accelerating discovery and innovation. Communica- tions of the ACM 50 (12), 2007, 20-32.

simonton, d. K. History, chemistry, psychology, and genius: An intellectual autobiography of historiometry. In: runCo, m. A.; Albert, r. s. (eds.), Theories of Creativity. Newbury Park, CA: Sage, 1990, 92-115.

sWeller, J. Cognitive load during problem solving: Effects on learning. Cognitive Science 12 (2), 1988, 257-285.

tAnAKA, A. Sensor-based musical instruments and interactive music. In: deAn, r. t. (ed.): The Oxford Handbook of Computer Music. New York, NY: Oxford University Press, 2009, 233-257.

thorGersen, C. F. Lose control, listen to each other, and create - understanding cooperative mu- sic making from a chiasmatic perspective. Reconstruction 14 (2), 2014.

timoney, J.; lAzzArini, v.; WArd, t.; villinG, r.; ConWAy, e.; CzesAK, d. The Beathealth project: Synchronizing movement and music. In: Proceedings of the V Workshop on Ubiquitous Music (V UbiMus). Vitória, ES: Ubiquitous Music Group, 2014.

vAn troyer, A. Repertoire Remix in the Context of Festival City. In: Keller, d.; lAzzArini, v.; Pi- mentA, m. s. (eds.), Ubiquitous Music. Berlin and Heidelberg: Springer International Publishing, 2014, 51-63.

truAx, b. Genres and techniques of soundscape composition as developed at Simon Fraser Uni- versity. Organised Sound 7 (1), 2002, 5-14.

truAx, b. Music, soundscape and acoustic sustainability. Moebius Journal 1, 2012.

truAx, b. Paradigm shifts and electroacoustic music: Some personal reflections. Organised

Sound 20, 2015, 105-110.

turChet, l.; FisChione, C.; bArthet, m. Towards the Internet of Musical Things. In: Proceedings of the Sound and Music Computing Conference (SMC 2017). Helsinki, Finland: Aalto Universi- ty, 2017.

vAsArely, v. Notes pour un manifeste. Le Mouvement. Paris: Glaerie Denise René, 1955. http://va- sarelyparvasarely.com/

vieirA, v. A.; FAriAs, F. m.; Keller, d.; lAzzArini, v.; PimentA, m. s. Reaproveitamento de dispo- sitivos legados em práticas criativas: O caso Keyboard Hero. In: Anais da Escola de Informática da Região Norte 3 (ERIN3). Porto Velho, RO: SBC, 2012.

Wessel, d.; WriGht, m. Problems and prospects for intimate musical control of computers. Com- puter Music Journal 26 (3), 11-22, 2002.

White, P. JamHub: Personal monitor system. Sound On Sound, October, 2010. http://www.soun- donsound.com/sos/oct10/articles/jamhub.htm

Publicado

2018-06-19

Como Citar

KELLER, D. Challenges for a second decade of ubimus research: knowledge transfer in ubimus activities. Música Hodie, Goiânia, v. 18, n. 1, p. 148–165, 2018. DOI: 10.5216/mh.v18i1.53578. Disponível em: https://revistas.ufg.br/musica/article/view/53578. Acesso em: 16 abr. 2024.

Edição

Seção

Artigos