The Maxwell Demon: a proposal for modeling in ecological synthesis in art practices

Autores

DOI:

https://doi.org/10.5216/mh.v18i1.53575

Palavras-chave:

Comprovisation, Socio-ecological system, Performance/experiment

Resumo

This paper aims to expand the research on ecological synthesis models (KELLER, 1999) through the inclu- sion of improvisation practice. We propose a formalization of creative processes in sonic improvisatory-compositio- nal environments (targeting comprovisation), based on ecologically grounded creative practices. Our approach en- tails the use of socio-ecological models that deal with complex adaptive systems [SIBERTIN et al., 2011]. We develo- ped a performance/experiment called The Maxwell Demon, as a case study. The observations done during the study indicate that imitation is an important strategy for creative activities in socio-ecological systems. Improvisation may provide a relevant sonic content in ecological environments, enhancing their flexibility without losing consistency. Keywords: Comprovisation; Socio-Ecological System; Performance/Experiment 

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Biografia do Autor

Luzilei Aliel da Silva, Universidade de São Paulo, São Paulo, São Paulo, Brasil, luzaliel@usp.br

Damián Keller, Universidade Federal do Acre, Rio Branco, Acre, Brasil, dkeller@ccrma.stanford.edu

Rogério Luiz Moraes Costa, Universidade de São Paulo, São Paulo, São Paulo, Brasil, rogercos@usp.br

 http://lattes.cnpq.br/1102723692631539

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Publicado

2018-06-19

Como Citar

ALIEL DA SILVA, L.; KELLER, D.; LUIZ MORAES COSTA, R. The Maxwell Demon: a proposal for modeling in ecological synthesis in art practices. Revista Música Hodie, Goiânia, v. 18, n. 1, p. 103–116, 2018. DOI: 10.5216/mh.v18i1.53575. Disponível em: https://revistas.ufg.br/musica/article/view/53575. Acesso em: 6 jul. 2022.

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