Special issue Música Hodie: contributions of sound and music computing to current musical and artistic knowledge

Autores

Palavras-chave:

sonologia, tecnologia musical, composição musical, educação musical, pedagogia da música, cognição musical, musicologia

Downloads

Não há dados estatísticos.

Biografia do Autor

Damian Keller, Universidade Federal do Acre, Rio Branco, Acre, Brasil, dkeller@ccrma.stanford.edu

Rogério Luiz Moraes Costa, Universidade de São Paulo, São Paulo, São Paulo, Brasil, rogercos@usp.br

Referências

ALIEL, L.; KELLER, D.; COSTA, R. Comprovisation: Approaches from Aesthetic Heuristics in Ecocomposition (Comprovisação Abordagens Desde a Heurística Estética em Ecocomposição). In Proceedings of the XV Symposium on Computer Music. Campinas, SP: SBCM, 2015.

BAER, J. The importance of domain-specific expertise in creativity. Roeper Review, 37 (3): 165- 178, 2015.

BHAGWATI, S. Towards interactive onscreen notations for comprovisation in large ensembles. In P. Assis, W. Brooks, K. Coessens & V. Anderson (eds.), Sound & Score: Essays on Sound, Score and Notation. Brussels: Leuven University Press. 2013, p. 143-177.

BISCHOFF, J.; GOLD, R.; HORTON, J. Music for an interactive network of microcomputers. Computer Music Journal, 2 (3): 24-29, 1978.

BOWN, O.; ELDRIDGE, A.; MCCORMACK, J. Understanding interaction in contemporary digi- tal music: From instruments to behavioural objects. Organised Sound 14: 188-196, 2009.

CHAFE, C. Oxygen Flute [Installation]. http://chrischafe.net/oxygen-flute/, 2002.

CONNORS, T. M. Audiovisual installation as ecological performativity. In Proceedings of the

st International Symposium on Electronic Art (ISEA2015). Vancouver, Canada: ISEA, 2015.

COPE, D. Virtual music: Computer synthesis of musical style. Cambridge, MA: MIT Press., 2004.

COSTA, R. L. M. Livre improvisação e ecologia sonora: uma aproximação a partir da estética da sonoridade. Opus, 20 (1): 189-206, 2014.

DOORNBUSCH, P. Computer sound synthesis in 1951: The music of CSIRAC. Computer Music Journal 28 (1): 10-25, 2004.

FRANINOVI?, K.; SERAFIN, S. Sonic Interaction Design. Cambridge, MA: MIT Press, 2013.

GOMES, J., PINHO, N., LOPES, F., COSTA, G., DIAS, R., TUDELA, D.; BARBOSA, Á. Capture and transformation of urban soundscape data for artistic creation. Journal of Science and Tech- nology of the Arts 6 (1): 97-109, 2014.

GOULD, S. J.; VRBA, E. S. Exaptation: A missing term in the science of form. Paleobiology, 8 (1), 4–15, 1982.

GRØNBECH, P.; VALADE, S. Danish designers’ manifesto: A vision for the future of Danish de- sign. Copenhagen, Denmark: Danish Designers. https://humancentereddesign.org/sites/default/ files/Manifesto-UK.pdf. , 2010.

HILLER, L.; ISAACSON, L. M. Experimental music: Composition with an electronic computer. New York, NY: McGraw-Hill, 1959.

KAUFMAN, J.; BAER, J. Creativity Across Domains: Faces of the Muse. New Jersey: L. Erlbaum Associates, 2005.

KATZ, S. L.; GARDNER, H. Musical materials or metaphorical models? A psychological inves- tigation of what inspires composers. In D. Hargreaves; D. Miell; R. MacDonald (eds.), Musical imaginations: Multidisciplinary perspectives on creativity, performance and perception. Oxford, UK: Oxford University Press, 2012, p. 107-123.

KELLER, D. Compositional processes from an ecological perspective. Leonardo Music Journal, 10: 55-60, 2000.

KELLER, D.; BUDASZ, R. (eds.) Music Creation and Technologies: Interdisciplinary Theory and Practice (Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar), Vol. 2. Goiânia, GO: Editora ANPPOM, 2010.

KELLER, D.; CAPASSO, A. concepts and techniques in eco-composition. Organised Sound, 11(1): 55-62, 2006.

KELLER, D.; CAPASSO, A.; TINAJERO, P. Creativity-centered design from an ecologically grounded perspective: Activities and resources in Palafito 1.0. Journal of Cases on Information Technology, 17 (4), 2015a.

KELLER, D.; FERREIRA, E.; PINHEIRO DA SILVA, F.; LIMA, M. H.; PIMENTA, M. S.; LAZZA- RINI, V. Criatividade musical cotidiana: Um estudo exploratório com sons vocais percussivos. In: Anais do Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – ANP- POM. Natal, RN: ANPPOM, 2013a.

KELLER, D.; FLORES, L. V.; PIMENTA, M. S.; CAPASSO, A.; TINAJERO, P. Convergent trends toward ubiquitous music. Journal of New Music Research, 40 (3): 265-276, 2011.

KELLER, D.; LAZZARINI, V. Ecologically grounded creative practices in ubiquitous music. Or- ganised Sound 22 (1): 61–72, 2017a.

KELLER, D.; LAZZARINI, V. Theoretical approaches to musical creativity: The ubimus pers- pective. Musica Theorica, 2 (1): 1-53, 2017b.

KELLER, D.; LAZZARINI, V.; PIMENTA, M. S. (eds.) Ubiquitous Music, Vol. XXVIII. Berlin and Heidelberg: Springer International Publishing, 2014a.

KELLER, D.; LIMA, M. H.; FORNARI, J. Round table: Challenges in ubiquitous music research (Painel: Desafios da pesquisa em música ubíqua). In: Anais do XXIV Congresso da Associação Na- cional de Pesquisa e Pós-Graduação em Música (ANPPOM 2014). São Paulo, SP: ANPPOM, 2014b.

KELLER, D.; OTERO, N.; COSTALONGA, L. L. Aesthetic heuristics in ubimus. In: Proceedings of the Electronic Visualisation and the Arts Conference (EVA 2015). London: BCS, Computer Arts Society Specialist Group, 2015b.

KELLER, D.; PIMENTA, M. S.; LAZZARINI, V. Creativity ingredients in ubiquitous music (Os ingredientes da criatividade em música ubíqua / Los ingredientes de la creatividad en música ubicua). In: Damián Keller; Daniel Quaranta; Rodrigo Sigal (eds.), Sonic Ideas, 5 (10), Vol. Cria- tividade Musical / Creatividad Musical. Morelia, México: CMMAS, 2013b.

KRAMER, G. Foreword. In The Sonification Handbook. Berlin: Logos-Verlag. http://sonification. de/handbook/index.php/foreword/, 2011.

LAZZARINI, V.; COSTELLO, E.; YI, S.; FFITCH, J. Development tools for ubiquitous music on the world wide web. In: Damián Keller; Victor Lazzarini; Marcelo S. Pimenta (eds.), Ubiquitous Music (p. 111-128). Heidelberg Berlin: Springer International Publishing, 2014a.

LAZZARINI, V.; KELLER, D.; PIMENTA, M.; TIMONEY, J. Ubiquitous music ecosystems: Faust programs in Csound. In D. Keller; V. Lazzarini; M. S. Pimenta (eds.), Ubiquitous Music (). Berlin and Heidelberg: Springer International Publishing, 2014b, p. 129-150.

LEWIS, G. E. Too many notes: computers, complexity and culture in Voyager. Leonardo Music Journal, 10: 33-39, 2000.

LIMA, M. H.; KELLER, D.; PIMENTA, M. S.; LAZZARINI, V.; MILETTO, E. M. Creativity-cen- tred design for ubiquitous musical activities: Two case studies. Journal of Music, Technology and Education, 5 (2): 195-222, 2012.

LÖWGREN, J. Toward an articulation of interaction esthetics. New Review of Hypermedia and Multimedia, 15 (2): 129-146, 2009.

MANNIS, J. A. Processos cognitivos de percepção, análise e síntese atuando no processo cria- tivo: Mímesis de mímesis. In Anais do Encontro Nacional de Composição Musical de Londrina (EnCom). Londrina, PR: EnCom, 2014.

MATHEWS, M. V. The Digital Computer as a Musical Instrument. Science 142 (3592): 553-557, 196.

MCCORMACK, J.; D’INVERNO, M. Computers and Creativity. Berlin, Heidelberg: Springer, 2012.

MILETTO, E. M.; PIMENTA, M. S.; BOUCHET, F.; SANSONNET, J.-P.; KELLER, D. Principles for music creation by novices in networked music environments. Journal of New Music Resear- ch, 40 (3): 205-216, 2011.

MITCHELL, W. J.; INOUYE, A. S.; BLUMENTHAL, M. S. Beyond Productivity: Information Te- chnology, Innovation, and Creativity. Washington, DC: The National Academies Press, 2003.

NEWELL, A.; SHAW, J. C.; SIMON, H. The processes of creative thinking. Santa Monica, CA: Rand Corporation, 1958.

NIERHAUS, G. Algorithmic Composition. Vienna: Springer, 2009.

OPIE, T.; BROWN, A. An introduction to eco-structuralism. In Proceedings of the International Computer Music Conference (ICMC 2006). Ann Arbor, MI: MPublishing, University of Michigan Library, 2006, p. 9-12.

ORLAREY, Y.; FOBER, D.; LETZ, S. Syntactical and semantical aspects of Faust. Soft Compu- ting - A Fusion of Foundations, Methodologies and Applications, 8 (9): 623-632, 2004.

PIMENTA, M. S., KELLER, D., FLORES, L. V., LIMA, M. H.; LAZZARINI, V. Methods in crea- tivity-centred design for ubiquitous musical activities. In D. Keller; V. Lazzarini; M. S. Pimen- ta (eds.), Ubiquitous Music. Berlin and Heidelberg: Springer International Publishing, 2014, p. 25-48.

PINHEIRO DA SILVA, F.; KELLER, D.; FERREIRA DA SILVA, E.; PIMENTA, M. S.; LAZZARI- NI, V. Criatividade musical cotidiana: Estudo exploratório de atividades musicais ubíquas. Mú- sica Hodie, 13: 64-79, 2013.

ROBERTS, C.; WAKEFIELD, G.; WRIGHT, M.; KUCHERA-MORIN, J. Designing musical instru- ments for the browser. Computer Music Journal, 39 (1): 27-40, 2015.

SBCM. Brazilian Symposium on Computer Music. http://compmus.ime.usp.br/sbcm/2017, 2017.

SCHAEFFER, P. Traité des objets musicaux: Essai interdisciplines. Paris: Éditions du Seuil, 1966.

SCHEDEL, M.; WORRALL, D. R. Editorial. Organised Sound, 19 (1): 1–3, 2014.

SMALLEY, D. Spectromorphology: explaining sound-shapes. Organised Sound, 2 (2): 107-126, 1997.

STRAVINSKY, I. Petrushka [Ballet musical score]. Berlin: Editions Russes de Musique, 1912.

TANAKA, A. Sensor-based musical instruments and interactive music. In: Dean, R. T. (ed.), Handbook of Computer Music New York, NY: Oxford University Press, 2009, p. 233-257.

TRUAX, B. Paradigm shifts and electroacoustic music: Some personal reflections. Organised Sound, 20: 105-110, 2015.

TRUAX, B. Editorial: Context-based composition. Organised Sound, 22 (1): 1–3, 2017.

TURCHET, L.; FISCHIONE, C.; BARTHET, M. Towards the Internet of Musical Things. In Pro- ceedings of the Sound and Music Computing Conference (SMC2017). Helsinki, Finland: Aalto University, 2017.

TURING, A. Computing Machinery and Intelligence. Mind, LIX (236), 1950, p. 433–460. WESSEL, D.; WRIGHT, M. Problems and prospects for intimate musical control of computers.

Computer Music Journal, 26 (3): 11-22, 2002.

WYSE, L.; SUBRAMANIAN, S. The viability of the web browser as a computer music platform.

Computer Music Journal, 37 (4): 10-23, 2013.

Publicado

2018-06-19

Como Citar

KELLER, D.; LUIZ MORAES COSTA, R. Special issue Música Hodie: contributions of sound and music computing to current musical and artistic knowledge. Música Hodie, Goiânia, v. 18, n. 1, p. 03–15, 2018. Disponível em: https://revistas.ufg.br/musica/article/view/53567. Acesso em: 21 nov. 2024.

Edição

Seção

Editorial