O ENCANTO DA MÚSICA E A MÚSICA ENCANTADA: ENSAIO SOBRE MÚSICA E SOCIEDADE
DOI:
https://doi.org/10.5216/ia.v29i2.1415Abstract
Neste artigo, o autor pretende mostrar como o mito da racionalidade foi construído pelo sujeito moderno, ilustrado pela figura de Ulisses, herói mítico que destruiu o ciclope Polifemo. Esse mito racional faz-se presente na indústria cultural, principalmente nas obras musicais. O autor aponta a nova música como alternativa para uma concepção estética que contenha a diferença não rentável de valores e caracteres que a indústria cultural desconhece e marginaliza.Downloads
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