Vol. 22 No. 2 (2019)

					View Vol. 22 No. 2 (2019)
Published: 2019-10-08

Editorial Page

  • Editorial

    DOI: https://doi.org/10.5216/sec.v22.59950

Masthead

  • Expediente

    DOI: https://doi.org/10.5216/sec.v22.59949

Free Articles

  • Migration, mobility and cities of Amazônia: stories from Xinguara (PA)

    Candice Vidal e Souza, Arlete Francisca Marques
    DOI: https://doi.org/10.5216/sec.v22i2.57157
  • Del enfrentamiento histórico entre Estado e Iglesia en México, al aprovechamiento económico del conflicto cristero a través del turismo religioso

    Maria Genoveva Millán Vázquez de la Torre, Rogelio Martínez Cárdenas, Juan Manuel Arjona Fuentes
    DOI: https://doi.org/10.5216/sec.v22i2.49451
  • Is SMART the new stupid? Health worker perspectives on producing PBF indicators

    Yogesh Rajkotia
    DOI: https://doi.org/10.5216/sec.v22i2.56884
  • Capital erótico y expectativas de género: criterios de selección en mujeres y varones heterosexuales

    Mariana Palumbo
    DOI: https://doi.org/10.5216/sec.v22i2.52483
  • Tension in Brazilian Political Science: the production of doctors and the perception of editors

    Nelson Rosário de Souza, Fabiane Helene Valmore
    DOI: https://doi.org/10.5216/sec.v22i2.54454

Thematic Dossier

  • Presentation Performances, Intangible Heritage and the Cultural Production of the Real

    Renata de Sá Gonçalves, Paulo Raposo, Izabela Tamaso
    DOI: https://doi.org/10.5216/sec.v22.59951
  • "To each their own": the Black Social Clubs and the immateriality of the place in the cultural production of the real

    Geslline Giovana Braga
    DOI: https://doi.org/10.5216/sec.v22i2.58394
  • The independent scenes and live music: elements of the new configuration of music in the present time

    Rubens de Freitas Benevides
    DOI: https://doi.org/10.5216/sec.v22i2.58393
  • "Ginga" dialectics: performances of the subaltern bodies in movement

    Ricardo César Carvalho Nascimento
    DOI: https://doi.org/10.5216/sec.v22i2.58395
  • The banquets of Yaokwa: potentials and limits of cinema and heritage among the Enawenê-nawê

    Rodrigo Lacerda
    DOI: https://doi.org/10.5216/sec.v22i2.58400
  • Emporium & Warisan: rewriting colonial heritage

    Ema Pires
    DOI: https://doi.org/10.5216/sec.v22i2.58399
  • Myths, scary stories and legends: oral tradition in Socorro, Colombia

    Jaqueline Estévez Lizarazo, Oscar Eduardo Rueda Pimiento, Giovanni Bohórquez-Pereira
    DOI: https://doi.org/10.5216/sec.v22i2.58980