Screenlife and the software audiovisualization

an analysis of the film unfriended

Authors

  • Alex Damasceno Universidade Federal do Pará (UFPA), Belém, PA, Brasil, alexd@ufpa.br

DOI:

https://doi.org/10.5216/ci.v23.66245

Keywords:

Software Audiovisualization, Screenlife, Unfriended

Abstract

Investigate the screenlife format based on the problem of software audiovisualization, a trend programmed by a metalinguistic game between audiovisual and software and the central roles that both play in contemporary culture. First, I try to comprehend screenlife as a poetic resulting from the encounter of the cross-cultural practices of the software with the audiovisual conventions of mise-en-scène, decoupage and narrative. Secondly, I analyze the case of Unfriended, describing how the different software were audiovisualized and discussing the specific functions they fulfill in the film.

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Author Biography

Alex Damasceno, Universidade Federal do Pará (UFPA), Belém, PA, Brasil, alexd@ufpa.br

Doutor em Comunicação e Informação pela UFRGS. Professor adjunto e Coordenador do Curso de Cinema e Audiovisual da UFPA, Belém, PA, Brasil.

Published

2020-12-30

How to Cite

DAMASCENO, A. Screenlife and the software audiovisualization: an analysis of the film unfriended. Comunicação & Informação, Goiânia, Goiás, v. 23, 2020. DOI: 10.5216/ci.v23.66245. Disponível em: https://revistas.ufg.br/ci/article/view/66245. Acesso em: 16 aug. 2024.

Issue

Section

Dossiê Cinema, Mídia e Tecnologia – narrativas e linguagens nas paisagens