Oral Moviement, and the people survive in their reinvented speech

Abstract

The main focus of this article is the oral movement,as a tool and as a communication sphereof popular layers. And preservation of theirculture. An alternative and precious way whenthe subjects don’t have access to the legitimatespeech forms. Including the writing. The presenttext shouts the importance of the tripod: voice,memory and tradition, as bases of continuityand future. There is in the ample literatureabout the oral text, from biblical tradition toSaramago, from the Chinese poems of CheKing to Suassuana, from Guimarães Rosa toimprovisers, a mix of poets and journalists ofpopular quotidian, their contemporary sourceof inspiration. Voice and gest, rituals and miths,body and imaginary, all of that composing onenarrative that doesn’t end. And, clever, intrude,now, the pores of information channels and,again, find out their veios of the actuality andthe constant overcoming.