For or with? Between childhoods: Insensata Cia de Teatro's trajectory towards the proposition of scenic contradictions.
DOI:
https://doi.org/10.5216/ac.v10i1.79510Abstract
In dialogue with authors such as Maria Lúcia Pupo, Júlia Guimarães Mendes, and Nicolas Bourriaud, the creative processes of the Insensata theater company that, since 2015, have deepened in the understanding of the aesthetic experience as a possible provocateur of relationships are analyzed through his research on scenic counterdevices. In this way, it is proposed to use the term between, which aims to aggregate in itself the notions of for and with childhoods, also opening up to the possibility of the work of art as a place of conviviality, as suggested by relational aesthetics.
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