Dramaturgy Between Sound, Silence and Noise
The Polyphony of Elements in Heiner Goebbels
DOI:
https://doi.org/10.5216/ac.v5i1.59606Abstract
This text brings a reflection about the use of the elements of sound in musical and theatrical compositions seeking to destabilize the hierarchies of the elements of the scene. For a better understanding of the articulations between concepts such as Polyphony of the Scene and Dramaturgy of Perception the research first lingers in the notes made by José Miguel Wisnik on the sound, silence and noise. Later it observes some topics of Serialism and Minimalism, in order to find support for the analysis of some works by Heiner Goebbels. Thus, along with the analysis of performance videos, the studies by Hans-Thies Lehmann (2007) and Luiz Felipe Reis (2016) on Goebbels were important references that contribute to this research.
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ARTAUD, Antonin. O teatro e seu duplo. Trad. Teixeira Coelho. São Paulo: Martins Fontes, 1993.
ALBET, Montserrat. Música Contemporânea. Trad. Luís Amaral e Irineu Garcia. Rio de Janeiro: Salvat, 1979.
ALMEIDA, Gil Roberto Gomes de. Diferença voz glossolalia artaud performance. Dissertação de Mestrado em Artes - Universidade de Brasília, Brasília, 2015. Disponível em:<http://www.repositorio.unb.br/handle/10482/20318>. Acesso em:10 Jul. 2017.
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GOEBBELS, Heiner. Estética da ausência: questionando pressupostos básicos nas artes performativas. Questão de Crítica. Vol. VIII, n. 66, 2015. Disponível em:<http://www.questaodecritica.com.br/2015/12/estetica-da-ausencia/>. Acesso em: 05 Jul. 2017.
LEHMANN, Hans-Thies. Teatro pós-dramático.Trad. Pedro Süssekind. São Paulo: Cosac & Naify, 2007.
REIS, Luiz Felipe. Heiner Goebbels - Polifonia cênica como política da forma: um gesto estético contra a hierarquia da cena e dos sentidos. Questão de Crítica. Vol. IX, n. 67, 2016. Disponível em:<http://www.questaodecritica.com.br/2016/04/heiner-goebbels/>. Acesso em 05 Ago. 2017.
WISNIK José Miguel. O som e o sentido. São Paulo: Companhia das Letras, 1989.
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