Larp as Working Tool for the Actor/Performer

Authors

  • Thiago Vieira Borges da Rosa Universidade Federal da Grande Dourados
  • Ariane Guerra Barros Universidade Federal da Grande Dourados

DOI:

https://doi.org/10.5216/ac.v5i1.54287

Abstract

This article proposes a research on larp (acronym for Live Action Role Playing Game), a contemporary artistic expression with a strong presence in the Scandinavian countries and brought to Brazil in recent years, and its relation with the performativity of scenic artists from other areas, with special attention to the theater. By approaching the concept of performativity, we draw a relation between larp and theater/performance, and analyze how some conceptions of the director Constantin Stanislavski may be related to larp. Finally, we try to understand how the practice of different games - products of larp art - can help the actor/performer in the exercise of his work.

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Author Biographies

Thiago Vieira Borges da Rosa, Universidade Federal da Grande Dourados

Bacharelando em Artes Cênicas pela Universidade Federal da Grande Dourados (UFGD). Dramaturgo, produtor e designer gráfico.

Ariane Guerra Barros, Universidade Federal da Grande Dourados

Professora do curso de graduação e pós-graduação lato sensu em Artes Cênicas da Universidade Federal da Grande Dourados (UFGD) na área de Corpo e Movimento. Atriz, preparadora corporal e radialista, atua na Cia. Última Hora, de Dourados/MS. Doutoranda em Artes Cênicas na área de Corpo e(m) Performance da Universidade Federal da Bahia.

References

BONFITTO, Matteo. Entre o ator e o performer. São Paulo: Perspectiva: Fapesq, 2013.

CARLSON, Marvin. Performance: uma introdução crítica. Belo Horizonte: Editora UFMG, 2009.

QUILICI, Cassiano Sydow. O ator-performer e as poéticas da transformação de si. São Paulo: Annablume, 2015.

STANISLAVSKI, Constantin. A construção da personagem. Tradução Pontes de Paula Lima. - 14 Edição. Rio de Janeiro: Civilização Brasileira, 2004.

STANISLAVSKI, Constantin. A criação de um papel. Tradução Pontes de Paula Lima. - 10 Edição. Rio de Janeiro: Civilização Brasileira, 2004a.

STANISLAVSKI, Constantin. A preparação do ator. Tradução Pontes de Paula Lima. - 21 Edição. Rio de Janeiro: Civilização Brasileira, 2005.

STARK, Lizzie. Leaving Mundania, Inside the Transformative World of Live Action Role-Playing Games. EUA: Chicago Review Press, 2012.

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Published

2019-07-27

How to Cite

DA ROSA, T. V. B.; BARROS, A. G. Larp as Working Tool for the Actor/Performer. Art on Stage Journal, Goiânia, v. 5, n. 1, p. 258–279, 2019. DOI: 10.5216/ac.v5i1.54287. Disponível em: https://revistas.ufg.br/artce/article/view/54287. Acesso em: 30 jun. 2024.

Issue

Vol. 5 No. 1 (2019): Scenography, Production Design and Design of Scene - Part II

Section

Varied Themes

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