What Can the Costumes in Dance?
Abstract
It is an essay about the costumes in modern dance. In this, we question what you wear the dancing body and the reflection takes place in the costume of modern dance for thinking that such an element in a certain period of the history of dance helped to think of a new dance style in a new body paradigm. The content of understanding how the aesthetics of costume contributes to the danced movement in the dance scene and part of a methodological approach to image analysis. On reflection it was understood that from the images analyzed the costume figure as a system integrator in the representation; the viewer, in addition to dance, enjoy them as a reference point, as this flag representation.
Downloads
References
BARIL, J. La Danza Moderna. Barcelona: Paidós, 1987.
LEITE, Miriam Lifchitz Moreira. Texto visual e texto verbal. In: FELDMAN-BIANCO; LEITE (org.). Desafios da Imagem. Campinas, São Paulo: Papirus, 1998.
COLLECTIF, RM. Loïe Fuller: Danseuse de l’art nouveau. Paris,2002.
CURRENT, Márcia Ewing; CURRENT, Richard Nelson. Loïe Fuller. London: Ed. Northeastern University, 1997.
DUNCAN, Isadora. Minha vida. Tradução de Gastão Cruls. Rio de Janeiro; José Olympio Editora, 1986.
GRAHAM, Martha. Memória do sangue: uma auto biografia. Tradução de Cláudia Martinelli Gama. São Paulo: Siciliano, 1993.
GARAUDY, Roger. Dançar a vida. Tradução de Glória Mariani e Antônio Guimarães Filho. Rio de Janeiro: Nova fronteira, 1980.
MAUSS, Marceu. Sociologia e antropologia. São Paulo: Edusp, 1974.
PAVIS, Patrice. Análise dos espetáculos. São Paulo: Perspectiva, 2005.
PIMENTEL, L. C. M. El cuerpo híbrido en la danza: transformaciones en el lenguaje coreográfico a partir de las tecnologías digitales. Análisis teórico y propuestas experimentales. Valencia: UPV, 2008. Tese Doutorado em Artes Visuais. Faculdade de Belas Artes, Universidade Politécnica de Valência, 2008. Disponível em: http://dspace.upv.es/manakin/handle/102 51/3838. Acesso em: (01/03/2012).
SOUZA, Aguinaldo Moreira de. Palavra do corpo: confluência de linguagens em night journey. Revista Trans/Form/Ação, São Paulo, 24: 163-181, 2001.
SPOLADORE, Bruna. Loie Füller: aproximações entre corpo-imagem e cinema de corpo. Anais do II Congresso Nacional de Pesquisadores em Dança – ANDA, julho/2012.
SUQUET, Annie. O corpo dançante: um laboratório da percepção. In: CORBIN, Alain; courtine, Jean-Jacuqes; VIGARELLO, Georges. História do corpo: as mutações do olhar. O século XX. Tradução de Ephraim Ferreira Alves. Petrópolis, RJ: Vozes, 2008.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Marcilio Souza Vieira
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Art on Stage Journal uses the Creative Commons - Attribution-Non-Commercial 4.0 International license as a basis for transferring rights, for open access journals (Open Archives Initiative - OAI).
Authors who publish in this journal agree with the following terms:
1) Authors retain the copyright and grant the Art on Stage Journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution Non Commercial License.
2) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this Journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3) Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, provided that the reference to the place of publication is cited, that is, the electronic address / reference of Art on Stage Journal.
4) The authors of the works published in the Art on Stage are expressly responsible for their content.
5) Authors will not be paid for publication of works in the Art on Stage Journal.
