The language of the absurd
DOI:
https://doi.org/10.5216/sig.v5i1.7348Abstract
Clarice Lispector's aesthetics is analysed mainly from her short story "Amor", where "the language of absurd" is focused as the author's creative axis, which has the non-word as a fictional urge.
The alienated human existence which searches for an urgent self-liberation is discussed, amid the chaos produced by the technical-scientific hypertrophy of modernity. The sign of "the being's absurd" heads. via a literary fruition, for a possible reconstruction of "the being-truth" by means of an expressed negation of fetish and by means of the crystallized conventional language of everyday life.
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