The literary work as artifact and action through Roman Ingarden

Authors

  • Otávio Guimarães Tavares Universidade Federal do Pará (UFPA), Belém, Pará, Brasil

DOI:

https://doi.org/10.5216/sig.v31.52280

Keywords:

Ontology, Artifact, Performance, Roman Ingarden

Abstract

In the present article I attempt to understand Roman Ingarden’s concept of literary work from the viewpoint of artifactuality and performativity, that is, understand the work of art as an artifactualization and virtualization of reality through intentionality, which, in turn, configures sense/meaning as a mode of action or as an instruction for a performative act. To understand this, one must locate Ingarden’s philosophy of art as distancing itself from a philosophical aesthetics, and in consonance, from the 60s onward, with Anglophone philosophy of art, above all its concerns with ontology and contextuality.

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Author Biography

Otávio Guimarães Tavares, Universidade Federal do Pará (UFPA), Belém, Pará, Brasil

Professor de literaturas anglófonas na Faculdade de Letras Estrangeiras Modernas (FALEM), Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA).

References

AUSTIN, John L. How to do things with words. Cambridge: Harvard University, 1999.

BRAIDA, Celso R. Filosofia e linguagem. Florianópolis: Rocca Brayde, 2013.

BÜHLER, Karl. Theory of Language: The representational function of language. Trad. Donald Fraser Goodwin; Achim Eschbach. Philadelphia: John Benjamins Publishing Company, 2011.

CARROLL, Noël. Beyond aesthetics: philosophical essays. New York: Cambridge University, 2003.

DANTO, Arthur. The Artworld. The Journal of Philosophy, v. 61, n. 19, p. 571-584, 1964. Disponível em: <http://www.jstor.org/stable/2022937>. Acesso em: 12 maio 2014.

______. The Transfiguration of the commonplace: a philosophy of art. Cambridge: Harvard University, 1981.

DICKIE, George. The Myth of the aesthetic attitude. American Philosophical Quarterly, v. 1, n. 1, p. 56-65, 1964. Disponível em: <http://www.jstor.org/stable/20009119>. Acesso em: 15 jan. 2014.

FERREIRA, Debora Pazetto. Análise categorial da arte em Amie Thomasson. 2010. 144 f. Dissertação (Mestrado em Filosofia) – Programa de Pós-Graduação

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Published

2019-04-10

How to Cite

TAVARES, O. G. The literary work as artifact and action through Roman Ingarden. Signótica, Goiânia, v. 31, 2019. DOI: 10.5216/sig.v31.52280. Disponível em: https://revistas.ufg.br/sig/article/view/52280. Acesso em: 17 jul. 2024.

Issue

Vol. 31 (2019)

Section

Estudos Literários

License

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