Purity and nature in Paul Valéry’s “Cantate du Narcisse narcisse”
DOI:
https://doi.org/10.5216/sig.v30i3.48713Keywords:
Paul Valéry. Narcissus. PoetryAbstract
In this paper, we will approach Paul Valéry’s (1871-1945) “Cantate” from the point of view of a study of its main character, Narcissus himself. After a first moment where we will study the structure of the verses of the play as well as its search for a balanced composition, we will then turn to the relationship between Narcissus and the Nymphs and, finally, to his opposition to the gods who condemn him for his love without measure. We will show how Narcissus in the “Cantate” manifests one of Valéry’s more recurrent subjects (the search of purity in its opposition to nature), a preoccupation that appears in other moments of his work as well.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Author (s) authorize Signótica to publish an article, if accepted, signing its contribution as original and not submitted to another publisher for publication. In case of acceptance and publication, Signótica's articles are Creative Comons BY-NC-ND (Attribution + Non-Commercial + Non-Derivatives)