Narration as an act of resistance in “The painter of birds”, by Lídia Jorge

Authors

  • Mariana Jantsch de Souza Universidade Católica de Pelotas - UCPel
  • Alfeu Sparemberger Universidade Federal de Pelotas (UFPel)

DOI:

https://doi.org/10.5216/sig.v27i1.33518

Keywords:

Narration, identity, memory, The Painter of Birds.

Abstract

We present a novel reading of “The Painter of Birds” by Lídia Jorge, in which it is highlighted the role of the narrative as an act of resistance to forgetfulness and family silence. It is a narrative that mobilizes memories to consolidate an identity from the reframing of the past. For that, the identity is approached as an eminently discursive process attached to the memory, as it finds in the past one of its main constitutive sources. The means to appease the conflicts of the past are writing, narrating, because it is the anguish of knowing her identity as a daughter and the impossibility of bearing it that drives the protagonist narrator to revolve the past. Narrating a clandestine past, from which she was banned trough the familiar discourse, it is forged as an act of resistance. 

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Author Biographies

Mariana Jantsch de Souza, Universidade Católica de Pelotas - UCPel

Doutoranda em Letras na Universidade Católica de Pelotas (UCPel), bolsista Capes.

Alfeu Sparemberger, Universidade Federal de Pelotas (UFPel)

Doutor em Letras pelas Universidade de São Paulo (USP). Professor na Universidade Federal de Pelotas (UFPel).

Published

2015-12-22

How to Cite

SOUZA, M. J. de; SPAREMBERGER, A. Narration as an act of resistance in “The painter of birds”, by Lídia Jorge. Signótica, Goiânia, v. 27, n. 1, p. 125–142, 2015. DOI: 10.5216/sig.v27i1.33518. Disponível em: https://revistas.ufg.br/sig/article/view/33518. Acesso em: 18 may. 2024.

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