TRADITION AND MODERNITY: IDENTITY REARRANGEMENTS IN THE CHILEAN FOLK MUSIC OF THE 50’S AND 60’S.
DOI:
https://doi.org/10.5216/hr.v13i2.6648Abstract
The urban popular song is a cultural event typically modern. Their production, spreading and consumption are confused with the urbanization processand the availability of technological resources. Communicated by the mass media, when achieved broader public than the local receivers, it has transformed into an important vector of cultural homogenization, what happened considerably fast, within the logic of the market. This article aims to map the connections between the popular song, the formation and consolidation of a consumer market and the political uses of it in different sectors of Chilean society between the fifties and sixties, a period in which the arts were related to the struggles of representation around the national identity in different countries of Latin America.
KEY-WORDS: Folk music, national identity and youth culture.
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